Created by Ramnia(IR.021)
>> WELL HELLO!
IT'S A BEAUTIFUL DAY IN THIS NEIGHBORHOOD
A BEAUTIFUL DAY FOR A NEIGHBOR
WOULD YOU BE MINE? COULD YOU BE MINE?
IT'S A NEIGHBORLY DAY IN THIS BEAUTY WOOD
A NEIGHBORLY DAY FOR A BEAUTY
WOULD YOU BE MINE? COULD YOU BE MINE?
I HAVE ALWAYS WANTED TO HAVE A NEIGHBOR
JUST LIKE YOU I'VE ALWAYS WANTED TO
LIVE IN A NEIGHBORHOOD WITH YOU SO
LET'S MAKE THE MOST OF THIS
BEAUTIFUL DAY AND WE'RE HERE
AT THE OSCARS SO WE MIGHT
AS WELL STAY WOULD YOU BE MINE?
COULD YOU BE MINE? WON'T YOU BE MY NEIGHBOR
WON'T YOU PLEASE? WON'T YOU PLEASE?
PLEASE WON'T YOU BE MY NEIGHBOR?
HELLO NEIGHBORS! TONIGHT, WE CELEBRATE THE ART OF
STORYTELLING. OH, THE MISFITS, THE OUTCASTS,
THE MISUNDERSTOOD. THOSE VOICES WHO ARE LONG
DEPRIVED. BE LOUD, BE SEEN, BE LIT, BE
HEARD. BECAUSE TONIGHT, WE COME ALIVE.
WELCOME TO THE BIGGEST NIGHT OF YOUR LIVES
YOU'RE ALL DRESSED UP IN YOUR SUIT AND YOUR TIE
TRYING TO GET RID OF ALL THOSE BUTTERFLIES
SO IT'S TIME TO COME ALIVE
AT THE OSCARS SUNDAY NIGHT IT'S TIME TO COME ALIVE
NOW LET'S GO WILD COME ON.
LET'S GO! THE LOVERS ON THE RUN
AND THE QUEENS AND THE SLIMS
THE HUSTLERS WITH THEIR GUNS
AND THE LITTLE WOMEN THE DOLEMITES
THE PARASITES IT'S TIME TO SHINE
AND IT'S TIME TO COME ALIVE
WE'RE AT THE OSCARS SUNDAY NIGHT
IT'S TIME TO COME ALIVE
NOW LET'S GO WILD I'M STILL STANDING
BETTER THAN I EVER DID LOOKIN' LIKE A
TRUE SURVIVOR FEELIN' LIKE A LITTLE KID
OH, I'M STILL STANDING AFTER ALL THIS TIME
PICKING UP THE PIECES OF MY LIFE
WITHOUT YOU ON MY MIND YOU'RE LOOKING
AT YOUR NEIGHBOR WITH SWEAT ON YOUR PALMS
THE CAMERA TURNS TO YOU AND YOU TRY TO STAY CALM
BETTA KEEP YOUR SMILE ON JUST IN CASE YOU WON
IT'S TIME TO COME ALIVE COME ALIVE
WOO
>> NOW, Y'ALL KNOW THIS IS MY HOUSE.
SO, THAT MEANS YOU MUST DO AS I SAY.
SNAP YOUR FINGERS JUST LIKE THIS.
SNAP THEM. AND REPEAT AFTER ME.
>> LA, LA, LA, LA, LA, LA, LA, LA, LA, LA.
>> TONIGHT, WE CELEBRATE ALL THE AMAZING TALENT IN THIS ROOM.
WE CELEBRATE ALL THE WOMEN WHO DIRECTED PHENOMENAL FILMS AND
I'M SO PROUD TO STAND HERE AS A BLACK, QUEER ARTIST, TELLING
STORIES. HAPPY BLACK HISTORY MONTH.
WE'RE GOING TO GET LOW. WE'RE GOING TO TAKE IT TO THE
UNDERGROUND. >> LA, LA, LA, LA, LA, LA, LA,
LA, LA, LA. >> LA, LA, LA, LA, LA, LA, LA,
LA, LA, LA. LA, LA, LA, LA, LA, LA, LA, LA,
LA, LA. LA, LA, LA, LA, LA, LA, LA, LA,
LA, LA. EVERYBODY COME ALIVE
IT'S TIME TO COME ALIVE EVERYBODY COME ALIVE
YOU'VE GOT TO COME ALIVE ALIVE, ALIVE, ALIVE, ALIVE
WOO COME ALIVE YEAH
COME ALIVE, YEAH COME ALIVE
OH
WOO
EVERYBODY -- JUST COME ALIVE
ALIVE OH OH OH
WELCOME TO THE 2020 OSCARS!
>> Announcer: PLEASE WELCOME
STEVE MARTIN AND CHRIS ROCK. >> THANK YOU.
>> WOW. JANELLE MONAE.
INCREDIBLE. THAT WAS INCREDIBLE.
WHILE WE WERE BACKSTAGE WATCHING
IT, STEVE SAYS TO ME, J. LO'S KILLING IT TWO WEEKS IN A ROW!
>> YOU KNOW, I WAS THINKING TODAY, CHRIS, THAT WE BOTH HAVE
HOSTED THE OSCARS BEFORE AND THIS IS SUCH AN INCREDIBLE
DEMOTION. THEY DON'T REALLY HAVE HOSTS
ANYMORE. WHY IS THAT?
>> TWITTER. EVERYBODY'S GOT AN EMBARRASSING
TWEET SOMEWHERE. I KNOW I DO.
>> A COUPLE OF YEARS AGO, THERE WAS A BIG DISASTER WHERE THEY
ACCIDENTALLY READ OUT THE WRONG NAME, BUT THEY HAVE GUARANTEED
THIS WILL NOT HAPPEN THIS YEAR, BECAUSE THE ACADEMY HAS SWITCHED
TO THE NEW IOWA CAUCUS APP. BUT WHAT A NIGHT!
>> I DON'T KNOW, STEVE. I'M A LITTLE CONFLICTED, YOU
KNOW? I WAS DRIVING HERE TONIGHT AND
SEEING THE TERRIBLE HOMELESS PROBLEM IN L.A. --
>> THANK YOU, CHRIS. SO MANY STARS!
OH, MY GOD, THERE'S BRAD PITT. IT'S LIKE LOOKING IN A MIRROR.
>> MAHERSHALA ALI IS HERE TONIGHT.
HE HAS TWO OSCARS. YOU KNOW WHAT THAT MEANS WHEN
THE COPS PULL HIM OVER? NOTHING.
JEFF BEZOS IS HERE. >> OH, WOW, GREAT ACTOR.
>> HE'S GOT CASH, WHEN HE WRITES THE CASH, THE BANK BOUNCES.
JEFF IS SO RICH, HE GOT DIVORCED AND HE'S STILL THE RICHEST MAN
IN THE WORLD. HE SAW "MARRIAGE STORY" AND
THOUGHT IT WAS A COMEDY. STEVE, DO YOU HAVE ANYTHING YOU
WANT TO ADD ABOUT MR. BEZOS? >> NO, I LIKE GETTING MY
PACKAGES ON TIME. AND MARTY SCORSESE IS HERE,
WHERE IS HE? GENIUS, WOW.
>> MARTY SCORSESE. MARTY, I GOT TO TELL YOU, I
LOVED THE FIRST SEASON OF "THE IRISHMAN."
>> OH, "THE IRISHMAN." THAT'S THAT NEW RAY ROMANO
MOVIE. SUCH A GREAT SUPPORTING CAST.
>> STEVE, DID YOU SEE "THE JOKER?"
>> I CAN'T WAIT TO SEE IT. IT SOUNDS SO FUNNY.
I'M LAUGHING ALREADY. JOKER.
>> THERE'S SO MANY -- SO MANY GREAT DIRECTORS NOMINATED THIS
YEAR. >> I DON'T KNOW, CHRIS, I
THOUGHT THERE WAS SOMETHING MISSING FROM THE LIST THIS YEAR.
>> VAGINAS? >> YES, YES.
>> THERE YOU GO. >> HEY, THERE YOU GO.
"FORD V FERRARI" IS NOMINATED. I GOT TO TELL YOU, I GOT A FORD,
I GOT A FERRARI, IT AIN'T EVEN CLOSE.
IT'S LIKE HALLE BERRY VERSUS GUM DISEASE.
>> CYNTHIA ERIVO IS HERE TONIGHT.
>> YES, CYNTHIA IS HERE TONIGHT. CYNTHIA DID SUCH A GREAT JOB IN
"HARRIET" HIDING BLACK PEOPLE THAT THE ACADEMY GOT HER TO HIDE
ALL THE BLACK NOMINEES. CYNTHIA, IS EDDIE MURPHY UNDER
THIS STAGE? >> EDDIE, I LOVED YOU IN
"DOLEMITE." >> WELL, YOU KNOW, CHRIS, THINK
HOW MUCH THE OSCARS HAVE CHANGED IN THE PAST 92 YEARS.
>> YEAH, THEY CHANGED A LOT, STEVE.
>> YEAH, THEY HAVE. IN 1929, THERE WAS NO BLACK
ACTING NOMINEES. >> NOW, IN 2020, WE GOT ONE.
>> YEAH. AMAZING GROWTH!
WELL, WE'VE HAD A GREAT TIME NOT HOSTING TONIGHT.
>> YES. WE HAD AN AMAZING TIME.
NOW, HERE TO PRESENT THE FIRST AWARD OF THE NIGHT, PLEASE
WELCOME ACADEMY AWARD-WINNER AND 15-TIME SOUL TRAIN AWARD WINNER,
REGINA KING.
>> HOW DO WE MEASURE THE IMPACT OF A FILM?
SOME MEASURE IT BY ITS BOX OFFICE.
BUT FOR ME, THE TRUE IMPACT OF A FILM CAN BE AS SIMPLE AS A
MEMORABLE LINE, OR A SEARING PERFORMANCE.
OVER THE DECADES, SO MANY ACTORS IN SUPPORTING ROLES GAVE US
MOMENTS WE WILL NEVER FORGET. I AM IN AWE OF LOUIS GOSSETT JR.
AS SERGEANT FOLEY IN "AN OFFICER AND A GENTLEMEN," JOEL GREY'S
PLAYFULLY MENACING WILKOMMEN IN "CABARET," DENZEL'S
HEARTBREAKING PERFORMANCE IN "GLORY."
THE FIVE MEN NOMINATED THIS YEAR AS BEST SUPPORTING ACTOR HAVE
ALL MADE A SIGNIFICANT IMPACT, WITH VIVID MOMENTS THAT WILL
LINGER FOR MANY YEARS TO COME. >> HELLO, NEIGHBOR.
SO GOOD TO SEE YOU AGAIN TODAY. >> DON'T YOU UNDERSTAND, YOU
WERE ALMOST ELECTED POPE. IF YOU RESIGN, IT WILL LOOK LIKE
A CRITICISM. >> BIG BUSINESS AND THE
GOVERNMENT ARE TRYING TO SEW THE SEEDS OF DISSENT AMONG OUR
RANKS, AT A TIME WHEN WE NEED UNITY.
WE NEED SOLIDARITY. >> I ASKED SOMEBODY TO TAKE CARE
OF SOMETHING FOR ME, I EXPECT THEM TO TAKE CARE OF IT
THEMSELVES. I DON'T NEED TWO ROADS COMING
BACK TO ME. >> YOU KNOW, THAT'S NOT MY CAR.
THAT'S MY BOSS'S CAR. AND IF SOMETHING WERE TO HAPPEN
TO MY BOSS'S CAR, WELL, I'D GET IN TROUBLE.
>> YOU SAY YOU NO LONGER WISH TO BE CARDINAL AND ARCHBISHOP.
ARE YOU SURE YOU STILL WISH TO BE A PRIEST?
>> I HAD TO PUT YOU INTO THIS THING, OR YOU WOULD THEY EVER
LET IT HAPPEN. BUT IT'S GOING TO HAPPEN.
>> HEY! >> YOU DON'T CONSIDER YOURSELF
FAMOUS? >> FAME IS A FOUR-LETTER WORD
BUT ULTIMATELY WHAT MATTERS IS WHAT WE DO WITH IT.
>> WHOA, WHOA. >> YOU MIGHT BE DEMONSTRATING A
FAILURE TO SHOW APPRECIATION. >> I'M NOT SHOWING APPRECIATION?
I WENT TO SCHOOL FOR FIVE YEARS. I DIDN'T NAME ONE NAME.
>> YOU DID THE RIGHT THING. >> I ASKED HIM TO PRAY FOR ME.
I FIGURED, ANYONE WHO IS GOING THROUGH WHAT HE IS GOING THROUGH
MUST BE AWFULLY CLOSE TO GOD. >> I'M NOT GOING TO DIE.
IT'S NOT MY TIME YET, MAN. >> YOU'RE NOT GOD.
YOU'RE ONLY HUMAN. >> HERE ARE THE NOMINEES FOR
PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE.
TOM HANKS. "A BEAUTIFUL DAY IN THE
NEIGHBORHOOD." ANTHONY HOPKINS.
"THE TWO POPES." AL PACINO.
"THE IRISHMAN." JOE PESCI.
"THE IRISHMAN." BRAD PITT.
"ONCE UPON A TIME IN HOLLYWOOD." AND THE OSCAR GOES TO --
BRAD PITT. "ONCE UPON A TIME IN HOLLYWOOD."
>> Announcer: THIS IS THE SECOND OSCAR FOR BRAD PITT.
HIS FIRST FOR ACTING.
>> WOW. THANK YOU.
THIS IS INCREDIBLE. REALLY INCREDIBLE.
THANK YOU TO THE ACADEMY FOR THIS HONOR OF HONORS.
THEY TOLD ME I ONLY HAVE 45 SECONDS UP HERE, WHICH IS 45
SECONDS MORE THAN THE SENATE GAVE JOHN BOLTON THIS WEEK.
I'M THINKING MAYBE QUENTIN DOES A MOVIE ABOUT IT, IN THE END,
THE ADULTS DO THE RIGHT THING. THIS REALLY IS ABOUT QUENTIN'S
ROOM. TARANTINO, YOU ARE ORIGINAL, YOU
ARE ONE OF A KIND -- THE FILM INDUSTRY WOULD BE A MUCH DRIER
PLACE WITHOUT YOU AND I LOVE THE ETHOS YOU GAVE CLIFF BOOTH, LOOK
FOR THE BEST IN PEOPLE, EXPECT THE WORST, BUT LOOK FOR THE
BEST. LEO -- I'LL RIDE ON YOUR COAT
TAILS ANY DAY, MAN. THE VIEW'S FANTASTIC.
AND TO THE REST OF THE CAST AND CREW, BIG BAD BOB RICHARDSON,
ROBERT GARCIA, RICHIE, MY MAN MIKE MOW, I ALSO WANT TO SAY,
YOU KNOW, WHILE WE'RE DOING ALL THIS, I THINK IT'S TIME WE GIVE
A LITTLE LOVE TO OUR STUNT COORDINATORS AND OUR STUNT
CREWS. LISTEN.
I'M A BIT GOBSMACKED. I'M NOT ONE TO LOOK BACK, BUT
THIS HAS MADE ME DO SO. I THINK ABOUT LOADING UP MY CAR
AND MOVING OUT HERE, GINA AND RIDLEY GIVING ME MY FIRST SHOT,
ALL THE WONDERFUL PEOPLE I'VE MET ALONG THE WAY, TO STAND HERE
NOW -- "ONCE UPON A TIME IN HOLLYWOOD," AIN'T THAT THE
TRUTH. THIS IS FOR MY KIDS WHO COLOR
EVERYTHING I DO. I ADORE YOU.
THANK YOU. >> Announcer: COMING UP,
MINDY KALING, KEANU REEVES AND DIANE KEATON.
PLUS, A ONCE IN A LIFETIME GLOBAL PERFORMANCE FROM "FROZEN
2" BY IDINA MENZEL.
>>> WELCOME BACK TO THE OSCARS. I'M BEANIE FELDSTEIN.
REGARDLESS OF WHERE THEY'RE FROM, WHEN THEY WERE FILMED OR
THEIR STYLE, ALL TYPES OF MOVIES HAVE AN EFFECT ON US.
HERE TO HONOR THE ANIMATED ONES IS MY QUEEN, MINDY KALING.
>> AS A SHY LITTLE GIRL, A DAUGHTER OF IMMIGRANT PARENTS,
ANIMATED FILM INTRODUCED ME TO WORDS BEYOND MY HOME AND MY
CLASSROOM. THEN, AS I GOT OLDER, I BEGAN TO
REALIZE THAT THOSE FILMS CONTAIN SOME OF THE MOST SOPHISTICATED
STORYTELLING IN ALL OF CINEMA. AIR
THEIR IMPACT IS EXTRAORDINARY, AND I CAN'T WAIT TO INTRODUCE MY
DAUGHTER TO THIS WORLD, KNOWING IT WILL TAKE HER IMAGINATION IN
DIRECTIONS THAT NO ONE'S EVEN DREAMED UP YET.
LET'S LOOK AT THE NOMINEES FOR BEST ANIMATED FEATURE FILM.
>> "HOW TO TRAIN YOUR DRAGON: THE
HIDDEN WORLD." DEAN DEBLOIS, BRADFORD LEWIS,
AND BONNIE ARNOLD. "I LOST MY BODY."
JEREMY CLAPIN AND MARC DU PONTAVICE.
"KLAUS." SERGIO PABLOS, JINKO GOTOH, AND
MARISA ROMAN. "MISSING LINK."
CHRIS BUTLER, ARIANNE SUTNER, AND TRAVIS KNIGHT.
"TOY STORY 4." JOSH COOLEY, MARK NIELSEN AND
JONAS RIVERA. AND THE OSCAR GOES TO --
"TOY STORY 4." JOSH COOLEY, MARK NIELSEN AND
JONAS RIVERA. >> Announcer: THIS IS THE FIRST
OSCAR AND NOMINATION FOR MARK NIELSEN, THE FIRST OSCAR AND
SECOND NOMINATION FOR JOSH COOLEY, THE SECOND OSCAR AND
THIRD NOMINATION FOR JONAS RIVERA.
>> WE ARE -- WE ARE SO, SO GRATEFUL FOR THIS HONOR.
WE JUST WANT ON BEHALF OF OUR INCREDIBLE CAST AND OUR CREW UP
AT PIXAR ANIMATION STUDIOS, WE JUST WANT TO THANK THE ACADEMY
FOR HONORING OUR FILM ALONGSIDE SO MANY BEAUTIFUL ANIMATED FILMS
THIS YEAR. WE'RE JUST PROUD TO BE AMONG
THEM. >> LISTEN, WE TAKE GREAT PRIDE
IN THE FACT THAT WE GET TO MAKE FAMILY FILMS AND "TOY STORY 4"
IS A LOVE LETTER TO OUR FAMILIES.
THIS IS FOR OUR PARENTS, OUR WIVES, OUR KIDS.
WE LOVE YOU. >> WE WANT TO THANK THE
MOVIE-GOING AUDIENCE SO MUCH, ESPECIALLY THOSE THAT GREW UP
WITH "TOY STORY." WE HOPE THAT YOUR ADVENTURES
WITH WOODY AND BUZZ MADE GROWING UP A LITTLE BIT EASIER.
MY WIFE, I LOVE YOU SO MUCH. >> THANK YOU.
>> AND NOW, HERE ARE THE NOMINEES FOR BEST ANIMATED SHORT
FILM. "DCERA."
DARIA KASHCHEEVA. "HAIR LOVE."
MATTHEW A. CHERRY AND KAREN RUPERT TOLIVER.
"KITBULL." ROSANA SULLIVAN AND
KATHRYN HENDRICKSON. "MEMORABLE."
BRUNO COLLET AND JEAN-FRANCOIS LE CORRE.
"SISTER." SIQI SONG.
AND THE OSCAR GOES TO -- "HAIR LOVE."
MATTHEW A. CHERRY AND KAREN RUPERT TOLIVER.
>> Announcer: THIS IS THE FIRST OSCAR AND NOMINATION FOR MATTHEW
A. CHERRY AND KAREN RUPERT TOLIVER.
>> THANK YOU SO MUCH TO THE ACADEMY AND EVERYBODY OUT THERE
THAT SUPPORTED THIS FILM. THERE WERE LOTS OF YOU.
WE SHARE THIS AWARD WITH YOU. THERE WERE SO MANY FILMMAKERS
THAT WORKED SO HARD ON THIS AND IT WAS A LABOR OF LOVE AND IT
WAS BECAUSE WE HAVE A FIRM BELIEF THAT REPRESENTATION
MATTERS DEEPLY. ESPECIALLY IN CARTOONS.
BECAUSE IN CARTOONS, THAT'S WHEN WE FIRST SEE OUR MOVIES AND HOW
WE SHAPE OUR LIVES. SO, THANK YOU TO SONY PICTURES
ANIMATION, THE PROGRESSIVE PEOPLE THAT BELIEVED IN US FROM
THE BEGINNING. THANK YOU SO LION FORGE
ANIMATION, TO SIX-POINT HARNESS AND TO MATTHEW CHERRY, THANK YOU
TO MY BEAUTIFUL HUSBAND, MY SON CHASE AND MILES FOR BELIEVES IN
ME. THANK YOU SO MUCH.
>> SO, WE HAVE A BIG TEAM THAT WE HAVE TO THANK BUT TIME IS
RUNNING SHORT, SO, I JUST WANT TO SAY THAT "HAIR LOVE" WAS DONE
BECAUSE WE WANTED TO SEE MORE REPRESENTATION IN ANIMATION.
THERE'S A VERY IMPORTANT ISSUE THAT'S OUT THERE, THE CROWN ACT
AND IF WE CAN HELP TO GET THIS PASSED IN ALL 50 STATES, IT WILL
HELP STORY LIKE DEANDRE ARNOLD'S WHO IS OUR GUEST TONIGHT, STOP
HAPPENING. THIS AWARD IS DEDICATED TO KOBE
BRYANT. MAY WE ALL HAVE A SECOND ACT AS
GREAT AS HIS WAS. THANK YOU.
>> Announcer: PLEASE WELCOME JOSH GAD.
>> AS MINDY NOTED, ANIMATED MOVIES ARE LOVED EVERYWHERE.
IN FACT, "FROZEN 2," OR AS CLIMATE CHANGE DENIERS CALL IT,
NOT "FROZEN 2," HAS BEEN DUBBED IN 45 DIFFERENT LANGUAGES, WHICH
MEANS I NOW HAVE 44 BLOOD RIVALS AROUND THE WORLD.
THESE DUBBED VERSIONS PROVIDE KIDS AND ADULTS EVERYWHERE THEIR
OWN SPECIAL CONNECTION TO THE STORY AND ITS CHARACTERS.
WHICH MEANS THERE ARE SO MANY GREAT VERSIONS OF ELSA.
FOR INSTANCE, CANADIAN EL ISA I BASICALLY THE SAME, BUT WITH
HEALTH CARE. BUT AS DAD TO TWO GIRLS AND THE
VOICE OF THE AMERICAN OLAF, IDINA MENZEL, PRONOUNCED EXACTLY
HOW IT IS SPELLED, IS OUR ELSA. AND SHE'S HERE TONIGHT, JOINED
BY AURORA AND ELSAS FROM AROUND THE WORLD WITH A SPECIAL GLOBAL
PERFORMANCE. COMPOSED BY ACADEMY AWARD
WINNERS KRISTEN ANDERSON-LOPEZ AND ROBERT LOPEZ.
HERE IS "INTO THE UNKNOWN."
AH-AH
OH, OH AH, AH
OH, OH, OH I CAN HEAR YOU
BUT I WON'T SOME LOOK FOR TROUBLE
WHILE OTHERS DON'T THERE'S A THOUSAND REASONS
I SHOULD GO ABOUT MY DAY AND IGNORE YOUR WHISPERS
WHICH I WISH WOULD GO AWAY
OH AH, AH
OH, OH WHOA
AH, AH OH, OH
YOU'RE NOT A VOICE YOU'RE JUST A RINGING
IN MY EAR AND IF I HEARD YOU
WHICH I DON'T I'M SPOKEN FOR I FEAR
EVERYONE I'VE EVER LOVED IS HERE WITHIN THESE WALLS
I'M SORRY, SECRET SIREN BUT I'M BLOCKING OUT
YOUR CALLS I'VE HAD MY ADVENTURE
I DON'T NEED SOMETHING NEW I'M AFRAID OF WHAT
I'M RISKING IF I FOLLOW YOU
INTO THE UNKNOWN INTO THE UNKNOWN
AH, AH OH, OH
ARE YOU OUT THERE?
DO YOU KNOW ME? CAN YOU FEEL ME?
CAN YOU SHOW ME? OH, OH
OH, OH
WHERE ARE YOU GOING?
DON'T LEAVE ME ALONE HOW DO I FOLLOW YOU?
OH, OH INTO THE UNKNOWN
OH, OH
>> Announcer: KELLY MARIE TRAN IS NEXT.
PLUS, KEANU REEVES JOINS DIANE KEATON, AND
NATALIE PORTMAN TEAMS UP WITH TIMOTHEE CHALAMET.
THEN LATER, PERFORMANCES FROM BILLIE EILISH, CHRISSY METZ AND
ELTON JOHN.
ZB
>>> AND WE'RE BACK AT THE OSCARS.
I'M KELLY MARIE TRAN. WITH ME IS QUESTLOVE, FREAKING
QUESTLOVE, THIS IS CRAZY. ALL RIGHT, I NEED TO CALM DOWN
BECAUSE IT'S TIME FOR ANOTHER AWARD.
HERE ARE OSCAR-WINNING ACTRESS DIANE KEATON AND A MAN
WHOSE MATRIX WE'D ALL LIKE TO RELOAD, KEANU REEVES.
>> THANK YOU SO MUCH.
OKAY. >> HELLO, DIANE.
>> HELLO. HELLO THERE, KEANU.
WELL -- ANYWAY, AH, YOU KNOW, IT'S BEEN A LONG TIME SINCE WE
MADE THAT MOVIE, "SOMETHING'S GOT TO GIVE."
YOU REMEMBER ME IN IT? >> YOU WERE AMAZING.
>> I'LL NEVER FORGET READING
THAT NANCY MEYERS SCREENPLAY FOR THE FIRST TIME.
>> YEAH, I KNOW, YEAH. NO, NO, I MEAN, OBVIOUSLY ME,
NEITHER, I MEAN, THAT WAS A LOT OF CRYING IN THERE, KEANU, LOTS
OF LAUGHING AND CRYING AND WE HAD SOME REALLY, WELL, LET'S BE
FRANK. >> IT WAS A GOOD TIME.
>> YOU AND JACK. >> I WOULDN'T GO THAT FAR.
BUT ANYWAY. >> SO POWERFUL.
SO MTHAT WAS SURPRISING, EXCITING.
>> RIGHT. >> IT WAS.
IT'S TRUE. I MEAN, THAT'S REALLY THE POWER
OF A GOOD SCRIPT, AM I RIGHT ABOUT THAT?
>> ABSOLUTELY RIGHT. >> I AM, OKAY.
SO -- >> HERE ARE THE NOMINEES FOR
BEST ORIGINAL SCREENPLAY. >> I'M GOING TO OPEN THIS FOR
YOU -- >> NOT YET.
NOT YET, THAT'S WHAT I MEAN. NOT YET.
>> "KNIVES OUT" WRITTEN BY RIAN JOHNSON.
>> ALL EYES TURN TO BLANK. >> DETECTIVE BLANC.
YOU SAID THAT THE INVESTIGATION IS ONGOING.
YOU MADE A POINT OF THAT. DO YOU SUSPECT FOUL PLAY?
>> MR. BLANC. >> "MARRIAGE STORY" WRITTEN BY
NOAH BAUMBACH. >> DO NOT COMPARE ME TO MY
FATHER. >> I DIDN'T COMPARE YOU TO HIM.
I SAID YOU WERE ACTING LIKE HIM. >> YOU'RE EXACTLY LIKE YOUR
MOTHER! EVERYTHING YOU'RE COMPLAINING
ABOUT HER, YOU'RE DOING. YOU'RE SUFFOCATING HENRY.
>> FIRST OF ALL, I LOVE MY MOTHER, SHE WAS A WONDERFUL
MOTHER! >> I'M JUST REPEATING WHAT
YOU TOLD ME. >> SECONDLY, HOW DARE YOU
COMPARE MY MOTHERING TO MY MOTHER?
>> "1917," WRITTEN BY SAM MENDES AND KRYSTY WILSON-CAIRNS.
>> WE SEE THE BURNING TOWN RECEDING BEHIND HIM.
BULLETS CRACK OFF THE COBBLES JUST IN FRONT OF HIM.
HE DROPS 40 FEET AND SMASHES INTO THE WATER.
>> "ONCE UPON A TIME IN HOLLYWOOD," WRITTEN BY
QUENTIN TARANTINO. >> I DON'T REMEMBER YOUR NAME
BUT I REMEMBER THAT HAIR. AND YOU, I REMEMBER YOUR WHITE
LITTLE FACE. AND YOU WERE ON A HORSEY.
>> "PARASITE." SCREENPLAY BY BONG JOON-HO AND
T HAN JIN WON.
STORY BY BONG JOON HO. KI-TEK DIVES AFTER THE PHONE
WHILE MUN-KWANG TRIES TO RETRIEVE IT.
THEN KI-WOO LUNGES TOWARD MUN-KWANG.
THEN KUN-SAE AFTER HIM. AND OF COURSE KI-JUNG HAS TO
JUMP AFTER KUN-SAE. >> WHOA!
WHOA! OKAY.
AND SO, THE -- THE OSCAR, IT GOES TO -- OH, MY GOD.
WHY DON'T YOU READ THIS? >> ALL RIGHT.
BONG JOON-HO AND HAN JIN WON. "PARASITE."
>> Announcer: THIS IS THE FIRST OSCAR AND THE THIRD NOMINATION
THIS YEAR FOR BONG JOON-HO. THE FIRST OSCAR AND NOMINATION
FOR HAN JIN WON.
>> AH -- THANK YOU, GREAT HONOR. YEAH.
THANK YOU.
>> Translator: WRITING A SCRIPT IS ALWAYS SUCH A LONELY PROCESS.
WE NEVER WRITE TO REPRESENT OUR COUNTRIES.
>> BUT THIS IS VERY PERSONAL TO SOUTH KOREA.
THANK YOU.
>> Translator: I THANK MY WIFE FOR ALWAYS BEING AN INSPIRATION
TO ME. I THANK ALL THE ACTORS WHO ARE
HERE WITH ME TODAY FOR BRINGING THIS FILM TO LIFE.
THANK YOU. >> THANK YOU, DIRECTOR BOON AND
THANK YOU MY MOM AND THANK ALL --
>> Translator: AS THERE'S HOLLYWOOD IN THE U.S., IN KOREA,
WE HAVE -- I'D LIKE TO SHARE THIS HONOR WITH ALL THE
STORYTELLERS AND FILMMAKERS THERE.
>> THANK YOU, ACADEMY. >> THANK YOU.
>> Announcer: PLEASE WELCOME
ACADEMY AWARD-NOMINEE TIMOTHY C
CHALAMET AND ACADEMY AWARD-WINNING ACTRESS NATALIE
PORTMAN. >> "EVERYBODY COMES TO RICKS."
>> "SHOELESS JOE." >> "Q&A."
>> "DIVERSION." >> BUT YOU MAY KNOW THEM BETTER
AS THE FILMS THEY BECAME, "CASABLANCA," "FIELD OF DREAMS,"
"SLUMDOG MILLIONAIRE" AND "FATAL ATTRACTION."
>> LIKE THE WRITERS OF THOSE CLASSIC FILMS, THIS YEAR'S
NOMINATED WRITERS HAVE MANAGED TO CAPTURE THE ESSENCE OF THEIR
SOURCE MATERIAL IN A WAY THAT IS ENTIRELY UNIQUE AND ORIGINAL.
HERE ARE THIS YEAR'S NOMINEES FOR BEST ADAPTED SCREENPLAY.
>> "THE IRISHMAN" SCREENPLAY BY STEVEN ZAILLIAN.
BASED ON THE BOOK "I HEARD YOU PAINT HOUSES" BY CHARLES BRANDT.
>> YOU KNOW WHO OWNS THE CADILLAC LINEN SERVICE?
>> SOME JEWS IN THE LAUNDRY BUSINESS.
THAT'S WHAT THEY TOLD ME. >> THEY OWN A PART OF IT.
SOMEBODY ELSE GOT AN INTEREST IN THAT.
YOU KNOW WHO? >> NO.
>> I DO. >> WHO?
>> NO. I DO.
I OWN THE OTHER PART. NOT I KNOW SOMEBODY WHO OWNS THE
OTHER PART. >> "LITTLE WOMEN" WRITTEN FOR
THE SCREEN BY GRETA GERWIG, BASED ON
THE NOVEL BY LOUISA MAY ALCOTT. >> WHO WILL BE INTERESTED IN A
STORY OF DOMESTIC STRUGGLES AND JOYS?
IT DOESN'T HAVE ANY REAL IMPORTANCE, DOES IT?
>> MAYBE IT DOESN'T SEEM IMPORTANT, BECAUSE PEOPLE DON'T
WRITE ABOUT THEM. >> NO, WRITING DOESN'T CONFER
IMPORTANCE, IT REFLECTS IT. >> I DON'T THINK SO.
WRITING THEM WILL MAKE THEM MORE IMPORTANT.
>> "JOKER" WRITTEN BY TODD PHILLIPS AND SCOTT SILVER.
BASED ON CHARACTERS CREATED BY BOB KANE, BILL FINGER AND
JERRY ROBINSON. AS THE DOOR CLOSES ON HIS NEW
FACE, ARTHUR, NOW "JOKER" DANCING HIS WAY DOWN THE LONG
STAIRCASE, DOING HIS OWN BILL "BOJANGLES" ROBINSON STAIR DANCE
SKIPPING AND TWIRLING DOWN STEPS, DANCING AND SINGING ALONG
TO THE MUSIC IN HIS HEAD. >> "JOJO RABBIT" SCREENPLAY BY
TAIKA WAITITI, BASED ON THE BOOK "CAGING SKIES" BY CHRISTINE
LEUNENS. >> EXCUSE ME?
LITTLE GIRL? UM, JEW GIRL IN THE WALL?
YOOHOO, JEW? >> ADOLF ENCOURAGES JOJO TO
CONTINUE. >> "THE TWO POPES" WRITTEN BY
ANTHONY McCARTEN BASED ON HIS PLAY "THE POPE."
>> YOU'RE MISTAKEN. YOU'RE MISTAKEN.
>> I CANNOT FEEL THE PRESENCE OF GOD!
I DO NOT HEAR HIS VOICE, DO YOU UNDERSTAND ME?
>> NO, YOU ARE MISTAKEN, YOU ARE --
>> I BELIEVE IN GOD! I PRAY TO GOD.
SILENCE! >> AND THE OSCAR GOES TO --
DAY KAWHI DAY KAWHI TEE TEE, "JOJO RABBIT."
>> Announcer: THIS IS THE FIRST OSCAR AND NOMINATION FOR DTAIKA
WAITITI. >> THANK YOU.
AMAZING. THANK YOU.
AH, THIS THIS IS REALLY LIGHT. THIS ONE'S LIGHT.
SUPPOSED TO BE HEAVY. I'D LIKE TO THANK MY MOTHER, I
DON'T KNOW WHERE YOU ARE, MOM, I LOST YOU, HOURS AGO.
OH, THERE. THANK YOU FOR -- FOR BEING MY
MOTHER AND FOR, I MEAN, MANY OTHER REASONS, BUT FOR GIVING ME
THE BOOK THAT I ADAPTED AND THIS FILM WOULDN'T HAVE EXISTED
WITHOUT YOU DOING THAT. CHRISTINE FOR WRITING THE BOOK,
THANK YOU. FOR THE PRODUCERS OF THE FILM,
KATHY AND CHELSEA, WHO WERE THERE RIGHT FROM THE BEGINNING,
THANK YOU GUYS. MANY OTHER PEOPLE THAT I WANT TO
THANK, BUT I WON'T, BECAUSE I CAN'T REMEMBER THEM.
THAT'S IT. THIS IS REALLY GREAT.
I DEDICATE THIS TO ALL THE INDIGENOUS KIDS IN THE WORLD WHO
WANT TO DO ART AND DANCE AND WRITE STORIES, WE ARE THE
ORIGINAL STORYTELLERS AND WE CAN MAKE IT HERE, AS WELL.
THANK YOU.
>> Announcer: PLEASE WELCOME
SHIA LABEOUF AND ZACK GOTTSAGEN.
>> SHORT FILMS ALLOW NEW VOICES TO BE SEEN AND HEARD WITHOUT THE
CONSTRAINTS OF BUDGET OR PERMISSION.
I'VE SEEN THESE FILMS, AND THEY ARE BEAUTIFUL.
>> AND IF YOU HAVEN'T SEEN IT, COME SEE IT.
>> BANG. HERE ARE THE NOMINEES FOR
BEST LIVE ACTION SHORT FILM. >> "BROTHERHOOD," MERYAM JOOBEUR
AND MARIA GRACIA TURGEON. "NEFTA FOOTBALL CLUB," YVES PIAT
AND DAMIEN MEGHERBI. "THE NEIGHBORS' WINDOW,"
MARSHALL CURRY. "SARIA," BRYAN BUCKLEY AND MATT
LEFEBVRE. "A SISTER," DELPHINE GIRARD.
>> THE OSCAR GOES TO -- >> "THE NEIGHBORS' WINDOW."
>> Announcer: THIS IS THE FIRST OSCAR AND FOURTH NOMINATION FOR
MARSHALL CURRY.
>> WOW. I'M SO GRATEFUL TO ALL THE
PEOPLE WHO MADE THIS FILM WITH ME.
INCLUDING MARIA DISEA, JULIA, JOHN, WOLFGANG, ELIZABETH, MY
WIFE AND PRODUCING PARTNER, OUR KIDS.
JANE AND RIVERS. I WANT TO DEDICATE THIS TO MY
MOM WHO GREW UP ON A PEACH FARM IN CHESTERFIELD, SOUTH CAROLINA,
WAS THE BEST STORYTELLER I EVER KNEW.
SHE -- SHE ALWAYS HAD A STORY ABOUT SOME CRAZY THING THAT
HAPPENED, YOU KNOW, WITH HER SIBLINGS WHEN SHE WAS GROWING UP
OR SOME WEIRD DOG THAT SHE HAD SEEN OR -- OR SOMETHING THAT THE
TAXI DRIVER HAD TOLD HER ABOUT HIS LIFE THAT WOULD BREAK YOU
HEART. AND I LEARNED FROM WATCHING HER
THAT A WELL-TOLD STORY IS -- IT'S A POWERFUL THING.
AND IT CAN -- IT CAN CHANGE THE WAY WE SEE THE WORLD AND IT CAN
HELP US TO NOTICE OTHER PEOPLE AND CARE ABOUT THOSE OTHER
PEOPLE AND MAYBE LOVE EACH OTHER A LITTLE BIT MORE, SO THIS IS
FOR HER AND FOR ALL THE STORYTELLERS.
THANK YOU.
>> Announcer: COMING UP, MAYA RUDOLPH AND KRISTEN WIIG.
PLUS, MAHERSHALA ALI PRESENTS >> ANNOUNCER GETS THE LAST WORD.
"THE CONNERS LIVE" TUESDAY ON ABC.
>> Announcer: PLEASE WELCOME MAYA RUDOLPH AND ACADEMY AWARD
NOMINEE, KRISTEN WIIG.
>> HI. >> HI, HOW ARE YOU?
>> TONIGHT, WE WILL BE HONORING THE WORK -- YOU KNOW WHAT?
I CAN'T DO IT. >> NO.
>> BECAUSE WE'RE UPSET. >> OH, ARE WE UPSET.
>> YOU KNOW WHAT, YOU GUYS DON'T WANT TO KNOW.
>> WE'RE P.O..ED. FRANKLY, I'M SEEING RED.
>> I'M TICKED OFF, YOU KNOW? YOU GUYS DON'T WANT TO KNOW
WHAT'S GOING ON. >> NO.
I'M T-ED OFF. I'M STEAMED.
>> I -- YOU KNOW WHAT? I CAN'T DO THIS.
>> WE'RE SORRY, WE'RE TOO UPSET. WE'RE TOO UPSET TO DO THIS.
SORRY. >> GUYS?
>> GUYS. >> WE'RE NOT MAD.
>> NUH-HUH. >> THAT WAS AN ACT.
>> YEAH. WE WERE ACTING.
>> YEAH. >> WE JUST KNOW THERE ARE A LOT
OF DIRECTORS HERE TONIGHT AND -- >> WE JUST WANTED THEM TO KNOW
WE DO MORE THAN COMEDY. >> OH, THAT WAS MY LINE.
>> WELL, I GUESS IT'S MINE NOW, SON.
>> HOW WOULD YOU KNOW, YOU WERE ALWAYS GONE WHEN I WAS A KID.
SEE? ACTING.
>> SOMETHING OTHER THAN ACTING THAT WE'RE PASSIONATE ABOUT
IS -- >> PRODUCTION DESIGN.
>> THE LOOK AND FEEL OF A F FILM -- I'M SORRY, I CAN'T DO
THIS. >> SEE?
>> WE CRY, TOO. >> CRYING.
>> HERE ARE THE NOMINEES FOR ACHIEVEMENT IN PRODUCTION
DESIGN. >> "THE IRISHMAN" PRODUCTION
DESIGN BY BOB SHAW. SET DECORATION BY REGINA GRAVES.
"JOJO RABBIT" PRODUCTION DESIGN BY RA VINCENT.
SET DECORATION BY NORA SOPKOVA. "1917" PRODUCTION DESIGN BY
DENNIS GASSNER. SET DECORATION BY LEE SANDALES.
"ONCE UPON A TIME IN HOLLYWOOD" PRODUCTION DESIGN BY
BARBARA LING. SET DECORATION BY NANCY HAIGH.
"PARASITE" PRODUCTION DESIGN BY LEE HA JUN.
SET DECORATION BY CHO WON WOO. >> AND THE OSCAR GOES TO --
OH, BOY. "ONCE UPON A TIME IN HOLLYWOOD."
BARBARA LING, NANCY HAIGH. >> Announcer: THIS IS THE FIRST
OSCAR AND NOMINATION FOR BARBARA LING.
THE SECOND OSCAR AND EIGHTH NOMINATION FOR NANCY HAIGH.
>> THANK YOU TO THE ACADEMY AND THANK YOU AND WE SHARE THIS WITH
OUR INCREDIBLE ART DEPARTMENT AND MY PARTNER IN CRIME,
DECORATOR NANCY HAIGH AND MOSTLY TO QUENTIN TARANTINO, FOR
WRITING AN EPIC MASTERPIECE. AND LETTING US TAKE THIS WILD
RIDE WITH HIM. THANK YOU.
>> A HUGE SHOUTOUT TO ALL THE PEOPLE THAT HELPED PUT US HERE
TONIGHT. THE CRAFTSMEN, THE CONSTRUCTION
GUYS, THE PAINTERS, OUR PROP MASTER, CHRIS CALL, AND OF
COURSE, MY GANG, MARK AND SARAH AND JONESY AND ADAM AND
EVERYBODY. I APPRECIATE IT SO MUCH.
THANK YOU. >> OH, OKAY.
I GUESS WE'RE DOING ANOTHER ONE. >> WELL, I HAVE A DOCTOR'S
APPOINTMENT. OH WELL.
>> OKAY. THE NOMINEES FOR BEST COSTUME
DESIGN ARE -- >> WAIT, THAT'S IT?
WE CAN'T JUST SKIP RIGHT TO THE AWARD.
>> YOU'RE RIGHT. SO MUCH GOES INTO COSTUME
DESIGN. WHAT ELSE SHOULD WE SAY?
>> WELL -- MAYBE WE DON'T SAY IT.
MAYBE WE SING IT. THESE BOOTS ARE MADE FOR
WALKING AND THAT'S JUST WHAT THEY'LL
DO AND ONE OF THESE DAYS THESE
BOOTS ARE GONNA WALK ALL OVER YOU'VE GOT THE LOOK
OH DEVIL WITH A BLUE DRESS DEVIL WITH A BLUE DRESS ON
BLUEBERRY HILL VOGUE VOGUE VOGUE VOGUE
LADY IN RED IS DANCING WITH ME
CHEEK TO CHEEK IN A THONG THONG THONG THONG
YOU CAN LEAVE YOUR HAT ON >> HERE ARE THE NOMINEES FOR
ACHIEVEMENT IN COSTUME DESIGN. >> "THE IRISHMAN" COSTUME DESIGN
BY SANDY POWELL AND CHRISTOPHER PETERSON.
"JOJO RABBIT" COSTUME DESIGN BY MAYES C. RUBEO.
"JOKER" COSTUME DESIGN BY MARK BRIDGES.
"LITTLE WOMEN" COSTUME DESIGN BY JACQUELINE DURRAN.
"ONCE UPON A TIME IN HOLLYWOOD" COSTUME DESIGN BY
ARIANNE PHILLIPS. >> AND THE OSCAR GOES TO --
JACQUELINE DURRAN, "LITTLE WOMEN."
>> Announcer: THIS IS THE SECOND OSCAR AND SEVENTH NOMINATION FOR
JACQUELINE DURRAN.
>> THANK YOU. THANK SO THE ACADEMY.
I'M IN DEALTED TO A LOT OF PEOPLE, TO A WONDERFUL TEAM, TO
AN AMAZING CAST, TO PRODUCER AY PASCAL, TO MY FAMILY, WHO ENABLE
ME TO BE A WORKING MOTHER AND FIRST AND LAST, TO GRETA GERWIG.
SHE WAS AN INSPIRATION TO ALL OF US WITH HER COURAGE AND HER
BRILLIANCE. THANK YOU.
WHEN YOU'RE HURTING I WANT YOU TO KNOW
THAT YOU'LL NEVER HAVE TO HURT ALONE
WHEN YOUR FAITH IS FAITH IS RUNNING LOW
I'LL NEVER LOSE FAITH IN YOU
WHEN THE NIGHT SURROUNDS YOU
AND YOU THINK THAT NO ONE CARES ABOUT YOU
I WILL GO AND THROW MY ARMS AROUND YOU
I'LL BE THERE THROUGH WHATEVER
YOU GO THROUGH I'M STANDING WITH YOU
AND WHEREVER YOU GO TO I'LL STAND BESIDE YOU
AND WHEN YOU THINK THAT ALL THE ODDS ARE
ALL AGAINST YOU AND YOU JUST FEEL LIKE
GIVING UP WELL I WON'T LET YOU
THROUGH WHATEVER YOU GO THROUGH
I'M STANDING WITH YOU I'M STANDING WITH YOU
NOTHING YOU CAN DO CAN MOVE ME
YOU CAN TRY BUT YOU CAN'T LOSE ME
YOU CAN'T LOSE ME THROUGH WHATEVER
YOU GO THROUGH I'M STANDING WITH YOU
AND WHEREVER YOU GO TO I'LL STAND BESIDE YOU
AND WHEN YOU THINK THAT ALL THE ODDS ARE
ALL AGAINST YOU AND YOU JUST FEEL LIKE
GIVING UP WELL I WON'T LET YOU
THROUGH WHATEVER YOU GO THROUGH
I'M STANDING WITH YOU I'M STANDING WITH YOU
I LOVE YOU, MOM.
>> Announcer: MARK RUFFALO IS
NEXT AND WE'LL FIND OUT WHO WINS FOR SUPPORTING ACTRESS.
THEN LATER, TOM HANKS, WILL FERRELL JOINS
JOHN PERFORMS HIS NOMINATED SONG
>>> THE THING THAT'S MADE ME
OPEN W HAPPENING WITH THE ENVIRONMENT
AND THE CLIMATE WAS FILMS AND DOCUMENTARIES, SO, THANK YOU FOR
THAT. THAT WAS WHAT MADE ME DECIDE TO
DO SOMETHING ABOUT IT. >> DOCUMENTARIES AND THE FILM T
ALWAYS HAD AN EXTRAORDINA >> FROM MY COLD, DEAD HANDS.
>> IT HAS THE POWER TO PLANT QUESTIONS IN PEOPLE'S MINDS.
>> WHY IS IT ALWAYS THE POOR THAT HAVE TO SUFFER THE MISERY?
>> IT'S SO CONFUSING FOR PEOPLE TO KNOW WHAT IS AND ISN'T
TRUTHFUL IN THE END. >> THERE'S THE TRUTH OF WHAT
ACTUALLY HAPPENED. >> IT IS POWERFUL TO COME OUT
AND BE, LIKE, LOOK, I'M NOT AFRAID.
>> PEOPLE NEED A HUMAN BEING THAT CAN LEAD THEM.
>> ONE CHILD CAN CHANGE THE WORLD.
>> DOCUMENTARY FILMS CAPTURE TH GENERATIONS AND BRING US CLOSER
TOGETHER. >> Announcer: PLEASE WELCOME
ACADEMY AWARD NOMINATED ACTOR MARK RUFFALO.
>> THIS YEAR'S NOMINATED DOCUMENTARIES TOOK US OUT OF OUR
EVERYDAY LIVES AND GAVE US THE CHANCE TO WALK IN SOMEONE ELSE'S
SHOES. IT WASN'T ALWAYS A COMFORTABLE
WALK, BUT IT'S A JOURNEY WE WOULD HAVE OTHERWISE NEVER
TRAVELED. AS A RESULT, THESE FILMS, FOUR
OF WHICH ARE DIRECTED OR CO-DIRECTED BY WOMEN -- HAVE AN
IMPACT NOT JUST FOR TODAY, BUT WILL RESONATE WITH US FOR YEARS
TO COME. HERE ARE THE NOMINEES FOR BEST
DOCUMENTARY FEATURE. "AMERICAN FACTORY."
STEVEN BOGNAR, JULIA REICHERT AND JEFF REICHERT.
>> WHAT WE'RE DOING IS WE'RE MELDING TWO CULTURES TOGETHER.
THE CHINESE CULTURE AND THE U.S. CULTURE.
>> "THE CAVE." FERAS FAYYAD,
KIRSTINE BARFOD AND SIGRID DYEKJER.
"THE EDGE OF DEMOCRACY" PETRA COSTA, JOANNA NATASEGARA,
SHANE BORIS AND TIAGO PAVAN. >> I FEAR DEMOCRACY WAS NOTHING
BUT A SHORT-LIVED DREAM. >> "FOR SAMA."
WAAD AL KATEAB AND EDWARD WATTS.
"HONEYLAND" LJUBO STEFANOV, TAMARA KOTEVSKA AND
ATANAS GEORGIEV. AND THE OSCAR GOES TO --
"AMERICAN FACTORY." >> Announcer: THIS IS THE FIRST
OSCAR AND SECOND NOMINATION FOR STEPHEN BOGNAR, THE FIRST WIN
AND NOMINATION FOR JULIA AND JEFF REICHERT.
>> WOW. THANK YOU.
WELL, EVEN BEFORE THAT ENVELOPE GOT OPENED, JUST BEING IN THE
PRESENCE, IN THE COMPANY OF OUR SISTER AND BROTHER
DOCUMENTARIANS, WHO -- WHO RISKED THEIR LIVES MAKING
STORIES, BRINGING STORIES TO US ABOUT HOSPITALS BEING BOMBED IN
SYRIA, ABOUT BRAZIL, ABOUT MACEDONIA, WE WERE SO PROUD, WE
ARE INSPIRED BY YOU GUYS. OUR FILM IS FROM OHIO AND CHINA.
GO BUCKEYES. AND -- SORRY.
AND -- BUT IT REALLY COULD BE FROM ANYWHERE THAT PEOPLE PUT ON
A UNIFORM, PUNCH A CLOCK, TRYING TO MAKE THEIR FAMILIES HAVE A
BETTER LIFE. WORKING PEOPLE HAVE IT HARDER
AND HARDER THESE DAYS AND WE BELIEVE THAT THINGS WILL GET
BETTER WHEN WORKERS OF THE WORLD UNITE.
>> THANK YOU, ACADEMY, THANK YOU TO EVERYONE WHO TRUSTED US TO
TELL YOUR STORY. THANK YOU TO OUR UNSTOPPABLE
CREW, OUR BELOVED FRIENDS AND FAMILY, OUR UNSTOPPABLE EDITOR,
AND TO THOSE BIG-HEARTED PEOPLE AT NETFLIX, PARTICIPANT MEDIA,
HIGHER GROUND PRODUCTIONS AND THE TOUGH PEOPLE OF DAYTON,
OHIO.
>> AND NOW, HERE ARE THE NOMINEES FOR BEST DOCUMENTARY
SHORT SUBJECT. "IN THE ABSENCE" YI SEUNG-JUN
AND GARY BYUNG-SEOK KAM. "LEARNING TO SKATEBOARD IN A
WARZONE (IF YOU'RE A GIRL)" CAROL DYSINGER AND
ELENA ANDREICHEVA. "LIFE OVERTAKES ME" JOHN HAPTAS
AND KRISTINE SAMUELSON. "ST. LOUIS SUPERMAN" SMRITI
MUNDHRA AND SAMI KHAN. "WALK RUN CHA-CHA" LAURA NIX AND
COLETTE SANDSTEDT. AND THE WINNER IS -- "LEARNING
TO SKATEBOARD IN A WAR ZONE IF YOU'RE A GIRL."
>> Announcer: THIS IS THE FIRST OSCAR AND NOMINATION FOR CAROL
DYSINGER AND ELENA ANDREICHEVA. >> OH, MY GOD.
>> OH, MY GOSH. >> I KNOW.
>> ARE YOU GOING TO SAY SOMETHING?
>> I AM. RANK CAPRA, YOU REMEMBER FRANK
CAPRA HANDED ME A STUDENT ACADEMY AWARD IN 1977, AND I
THOUGHT I'D SKIPPED THE HARD PART.
I SHOULD I WOULD THEN GO ON TO MAKE MOVIES.
AND IF I HADN'T HAD THAT ENCOURAGEMENT AT MY BACK BACK
THEN, I WOULDN'T HAVE BEEN ABLE TO WITHSTAND THE LAST FOUR
DECADES IN THIS BUSINESS. I WANT TO THANK MOLLY THOMPSON,
GRAIN MEDIA, TO ADAM, THE MAN BEHIND THE WOMEN.
THE BRILLIANCE MY CINEMATOGRAPHER AND EDITOR.
TO ZAMA AND TAM, OUR NUMBER ONE GIRL CREW.
I'VE BEEN WORKING IN AFGHANISTAN SINCE 2005 AND THIS MOVIE IS MY
LOVE LETTER TO THE BRAVE GIRLS OF THAT COUNTRY.
TO GET TO CAPRA FROM HERE TOOK A WHOLE LOT OF NOT QUITTING AND
TEACHERS, THE KIND I STRIVE TO BE AT NYU FILM SCHOOL AND THE
KIND OF TEACHERS AT THE SCHOOL AT THE HEART OF THE FILM, THEY
TEACH GIRLS COURAGE, TO RAISE YOUR HAND, TO SAY, "I AM HERE, I
HAVE SOMETHING TO SAY AND I'M GOING TO TAKE THAT RAMP, DON'T
TRY TO STOP ME." THANK YOU VERY MUCH.
>> THANK YOU. KEEP SKATERS ROLLING.
>> Announcer: PLEASE WELCOME TWO-TIME ACADEMY AWARD-WINK NIN
ACTOR, MAHERSHALA ALI.
>> MOST EVERY ACTRESS AND ACTOR I KNOW WANTS TO BUILD A LASTING
BODY OF WORK, CHOOSING ROLES THAT DO MORE THAN JUST SPEAK TO
THEM PERSONALLY, BUT WITH THE HOPE THAT THEIR PERFORMANCE WILL
RESONATE WITH OTHERS. THE FIVE WOMEN NOMINATED AS BEST
SUPPORTING ACTRESS HAVE DONE JUST THAT.
>> THE IDEA OF A GOOD FATHER WAS ONLY INVENTED LIKE 30 YEARS AGO.
WE LOVE THEM FOR THEIR FALLIBILITIES BUT PEOPLE
ABSOLUTELY DON'T ACCEPT THOSE SAME FEELINGS IN MOTHERS.
>> YOU WANT YOUR DADDY? >> YEAH, I DO.
>> YEAH? >> YEAH.
>> DON'T YOU EVER TALK TO YOUR MOTHER LIKE THAT.
>> RICHARD IS NOT A MURDERER. HE SAVED PEOPLE'S LIVES.
MR. PRESIDENT, PLEASE CLEAR MY SON'S NAME.
>> AS A WOMAN, THERE'S NO WAY FOR ME TO MAKE MY OWN MONEY.
NOT ENOUGH TO EARN A LIVING OR TO SUPPORT MY FAMILY AND IF WE
HAD CHILDREN, THEY WOULD BE HIS, NOT MINE.
SO, DON'T SIT THERE AND TELL ME THAT MARRIAGE ISN'T AN ECONOMIC
PROPOSITION, BECAUSE IT IS. >> I -- I CAN'T CALL ANYONE ELSE
AND I JUST -- I NEED SOMEONE RIGHT NOW TO TELL ME THAT THAT'S
WHAT I SHOULD DO. >> WHY DO YOU KEEP DEFENDING
THESE PEOPLE? >> I'M NOT DEFENDING, I'M JUST
EXPLAINING. >> WELL, STOP IT.
>> I FEEL SORRY FOR YOU, I REALLY DO.
>> YOU DON'T HAVE TO FEEL SORRY FOR ME, AMY, YOU'LL FEEL THE
SAME WAY ONE DAY. >> NO, I'D BE RESPECTED IF I
WASN'T LOVED. >> YOU LOOK A TIGER IN THE EYE
AND TRUST WITHOUT FEAR, THAT IS WHAT IT'S LIKE TO BE A WOMAN.
>> IT WOULD HAVE BEEN NICE IF SOMEBODY TOLD US THAT HE'S AFTER
MORE THAN LEGS. >> IT'S NOBODY'S JOB TO PROTECT
YOU, KAYLA. >> THAT'S ALL OF OUR JOB.
>> HERE ARE THE NOMINEES FOR PERFORMANCE BY AN ACTRESS IN A
SUPPORTING ROLE. BEATES, "RICHA" LAURA DERN, "MARRIAGE STORY."
SCARLETT JOHANSSON, "JOJO RABBIT."
FLORENCE PUGH, "LITTLE WOMEN." MARGOT ROBBIE, "BOMBSHELL."
AND THE OSCAR GOES TO -- LAURA DERN, "MARRIAGE STORY."
>> Announcer: THIS IS THE FIRST OSCAR AND THIRD NOMINATION FOR
LAURA DERN.
>> THANK YOU TO THE ACADEMY FOR THIS HONOR.
JUST TO BE IN THIS ROOM WITH SUCH REMARKABLE ARTISTS,
INCLUDING MY FELLOW NOMINEES, MY SISTERS AND COLLEAGUES.
THANK YOU NETFLIX, MY FRIEND TED SCOTT, EVERYONE FOR THEIR
SUPPORT AND LOVE. TO NOAH, HIS VISION, HIS MAGIC,
THANK YOU, NOAH, FOR YOUR WORDS AND FOR YOUR FRIENDSHIP IN ART
AND LIFE WITH YOU AND GRETA. THANK YOU TO THIS CAST, THE
MAJESTIC ADAM, SCARLETT, ALLEN, RAY, OUR AMAZING CREW, DAVID,
NOAH WROTE A MOVIE ABOUT LOVE AND ABOUT BRIEFING DIVISIONS IN
THE NAME AND IN THE HONOR OF FAMILY AND HOME AND HOPEFULLY
FOR ALL OF US, IN THE NAME OF OUR PLANET, AND I WOULD LIKE TO
SAY A SPECIAL THANK YOU TO THE GIFTS OF THE LOVE STORIES IN MY
LIFE, MY STEP-CHILDREN, C.J. AND HARRIS, MY HEART AND
INSPIRATION, ELLERY AND GIA, AND YOU KNOW, SOME SAY NEVER MEET
YOUR HEROES, BUT I SAY, IF YOU ARE REALLY BLESSED, YOU GET THEM
AS YOUR PARENTS. I SHARE THIS WITH MY ACTING
HEROES, MY LEGENDS, DIANE LADD AND BRUCE DERN.
YOU GOT GAME. I LOVE YOU.
THANK YOU ALL FOR THIS GIFT. THIS IS THE BEST BIRTHDAY
PRESENT EVER. I LOVE YOU.
I LOVE MY FRIENDS. YOU LIFT ME UP EVERY DAY.
THANK YOU. >> Announcer: COMING UP,
LIN-MANUEL MIRANDA, JAMES CORDEN AND REBEL WILSON.
THEN, LATER, OSCAR WINNERS SPIKE LEE, RAMI
>>> HELLO, EVERYONE.
I'M ANTHONY RAMOS AND -- OH, THANKS.
WOW. THANKS.
AND THIS IS MY FIRST TIME AT THE OSCARS.
YEAH. SO THAT'S PRETTY DOPE.
AND CONGRATULATIONS TO LAURA DERN ON HER WIN FOR SUPPORTING
ACTRESS, I MEAN, COME ON. YEAH.
MY JOURNEY HERE TONIGHT TRULY FEELS LIKE A DREAM COME TRUE.
THIS BUSINESS IS ABOUT TAKING RISKS AND CHANCES, AND THE MAN
THAT IS ABOUT TO COME TO THE STAGE TOOK A CHANCE ON ME.
HE GAVE ME THE INCREDIBLE OPPORTUNITY TO BE IN THE SMASH
HIT "HAMILTON" -- THANK YOU. SO, LET'S GO AND GIVE IT UP FOR
ONE OF MY PERSONAL HEROES, OSCAR NOMINATED SONGWRITER LIN-MANUEL
MIRANDA.
>> THAT YOUNG MAN'S A MOVIE STAR.
IN A SHOW CELEBRATING THE IMPACT OF STORYTELLING, WE'D BE CRAZY
TO MISS OUT ON HIGHLIGHTING THOSE SONGS THAT HAVE BEEN
ATTACHED TO MOVIES AND THAT HAVE FOREVER IMPACTED OUR COLLECTIVE
MEMORY. IT ONLY TAKES HEARING A FEW
NOTES OF THESE SONGS AND I'M IMMEDIATELY TRANSPORTED TO THE
VISUALS OF THE MOVIES ETCHED INTO MY MIND.
AS JOHN HUGHES ONCE SAID ABOUT SIMPLE MINDS, "DON'T YOU FORGET
ABOUT ME," YOU COULDN'T TAKE THE SONG OUT OF THE MOVIE AND YOU
COULDN'T TAKE THE MOVIE OUT OF THE SONG.
LET'S HAVE A LOOK AND LISTEN AT JUST A FEW EXAMPLES OF WHERE A
SONG HAS TRANSFORMED A FILM AND THE FILM HAS TRANSFORMED THE
SONG.
YOU KNOW IT'S HARD OUT HERE
FOR A PIMP HEY HEY HEY HEY
OH IN YOUR EYES
THE LIGHT THE HEAT YOUR EYES
I AM COMPLETE YOUR EYES
PURPLE RAIN PURPLE RAIN
AND I KNOW THAT MY HEART WILL GO ON
AND I WILL ALWAYS LOVE YOU
WHOA MY LOVE LA BAMBA
HOLD ME CLOSER TINY DANCER
CUT LOOSE SHOES
AND HERE'S TO YOU MRS. ROBINSON LADY MARMALAD
FIGHT THE POWER FIGHT THE POWER ER
OF LOVE FEEL THE POWER OF LOVE
I DON'T KNOW WHY I CAME HERE TONIGHT
I GOT THE FEELING THAT SOMETHING AIN'T RIGHT
>> SOMETIMES YOU HAVE TO LOSE
YOURSELF BEFORE YOU CAN FIND ANYTHING.
>> ONE SHOT. ONE OPPORTUNITY.
PALMS ARE SWEATY KNEES WEAK
ARMS ARE HEAVY THERE'S VOMIT ON HIS SWEATER
ALREADY MOM'S SPAGHETTI
HE'S NERVOUS BUT ON THE SURFACE HE LOOKS
CALM AND READY TO DROP BOMB
BUT HE KEEPS ON FORGETTING WHAT HE WROTE DOWN
THE WHOLE CROWD GOES SO LOUD HE OPENS HIS MOUTH
BUT THE WORDS WON'T COME OUT HE'S CHOKING HOW
EVERYBODY'S JOKING NOW THE CLOCKS RUN OUT
TIME'S UP OVER SNAP BACK TO REALITY
OH THERE GOES GRAVITY OH THERE GOES RABBIT
HE CHOKED HE'S SO MAD
BUT HE WON'T GIVE UP THAT EASY NO
HE WON'T HAVE IT HE KNOWS HIS WHOLE BACK'S TO
THESE ROPES IT DON'T MATTER, HE'S HOPE
HE KNOWS THAT BUT HE'S BROKE HE'S SO STAGNANT
HE KNOWS WHEN HE GOES BACK TO THIS MOBILE HOME
THAT'S WHEN IT'S BACK TO THE LAB AGAIN
THIS WHOLE RHAPSODY BETTER GO CAPTURE THIS
MOMENT AND HOPE IT DON'T PASS HIM
YOU BETTER LOSE YOURSELF IN THE MUSIC
THE MOMENT YOU OWN IT
YOU BETTER NEVER LET IT GO YOU ONLY GET ONE SHOT
DO NOT MISS YOUR CHANCE TO BLOW
THIS OPPORTUNITY COMES ONE IN A LIFETIME
YOU BETTER LOSE YOURSELF IN THE MUSIC
THE MOMENT YOU OWN IT
YOU BETTER NEVER LET IT GO YOU ONLY GET ONE SHOT
DO NOT MISS YOUR CHANCE TO BLOW
THIS OPPORTUNITY COMES ONE IN A LIFETIME
YOU BETTER HIS SOUL'S ESCAPING THROUGH
THIS WHOLE THAT IS GAPING THERE'S NO MOVIE
THIS IS MY LIFE AND THESE TIMES ARE SO HARD
AND IT'S GETTING EVE HARDER TRY TO
CAUGHT UP BETWEEN BEING A FATHER AND A
STAND IN ONE SPOT I'M LIKE A SNAIL I'VE GOT TO
FORM LATE A PLOT OR END UP IN JAIL OR SHOT
SUCCESS IS MY ONLY OPTION MOM I LOVE YOU
BUT THIS TRAIL'S GOT TO GO HERE'S MY GO IT'S MY SHOT
FEET FAIL ME NOT THIS MAY BE THE ONLY
OPPORTUNITY THAT I GOT YOU BETTER LOSE YOURSELF IN
THE MUSIC THE MOMENT
YOU OWN IT YOU BETTER NEVER LET IT GO
YOU ONLY GET ONE SHOT DO NOT MISS YOUR CHANCE TO
BLOW THIS OPPORTUNITY COMES IN ONCE
IN A LIFETIME YOU BETTER LOSE YOURSELF IN
THE MUSIC THE MOMENT YOU ONLY GET ONE SHOT
DO NOT MISS YOUR CHANCE TO BLOW
THIS OPPORTUNITY COMES ONCE IN IN A LIFETIME
YOU BETTER LOSE YOURSELF
>> THANK YOU.
>> Announcer: PLEASE WELCOME
OSCAR ISAAC AND ACADEMY AWARD NOMINEE SALMA HAYEK-PINAULT.
>> I CAN NOW OFFICIALLY SAY THAT I'VE HELD AN OSCAR ON THIS
STAGE. >> CONGRATULATIONS.
OSCARS NOT TO WHITE NOW. >> I WIN.
>> THE SEEMINGLY IMPOSSIBLE TASK OF SOUND EDITORS IS TO IMMERSE
THE VIEWER IN A WORLD WE, AND THEY, HAVE LIKELY NEVER HEARD
FIRSTHAND. >> THIS YEAR'S NOMINEES HAVE
VIVIDLY BROUGHT TO LIFE FIRST WORLD WAR TRENCHES.
>> THE MANSON RANCH AND THE CITY OF GOTHAM.
>> THE LEMANS RACETRACK. >> AND EVEN A GALAXY FAR, FAR
AWAY. >> AND YET SO CLOSE.
>> HERE ARE THE NOMINEES FOR ACHIEVEMENT IN SOUND EDITING.
"FORD V FERRARI" DONALD SYLVESTER.
"1917" OLIVER TARNEY AND RACHAEL TATE.
"ONCE UPON A TIME IN HOLLYWOOD" WYLIE STATEMAN.
"STAR WARS: THE RISE OF SKYWALKER" MATTHEW WOOD AND
DAVID ACORD.
>> AND THE OSCAR GOES TO -- "FORD V FERRARI," DONALD
SYLVESTER. >> Announcer: THIS IS THE FIRST
OSCAR AND NOMINATION FOR DONALD SYLVESTER.
>> "FORD V FERRARI" IS A MARRIAGE OF SOUND AND PICTURE,
SO, WHILE I WANT TO THANK THE FANTASTIC SOUND TEAM, I WANT TO
INCLUDE THE PICTURE TEAM AND THE MIXERS.
IN FACT, "FORD V FERRARI" IS PROBABLY THE LAST FILM EVER MADE
BY 20th CENTURY FOX, SO, I WANT TO THANK -- I WANT TO THANK
AARON DOWNING AND TED GALIANO AND EMMA WATTS, BUT THE REAL
SUPPORT COMES FROM HOME, SO, I WANT TO THANK MY WONDERFUL WIFE
OF 34 YEARS, WHO GAVE UP HER EDITING CAREER FOR ME TO PURSUE
MY CAREER. BUT SHE RAISED OUR KIDS AND SHE
DID A GREAT JOB BECAUSE EITHER ONE OF THEM ARE POLITICIANS.
BUT THE REAL REASON I'M STANDING HERE IS JAMES MANGOLD.
HE IS THE REASON I'M HERE. HE SHOULD HAVE BEEN NOMINATED
FOR BEST DIRECTOR, SO, IF I COULD, I'D BREAK THIS STATUE
OFF, GIVE HIM THE HEAD SO YOU CAN PUT IT IN A JAR, JIM.
THANK YOU, ACADEMY. >> AND NOW, HERE ARE THE
NOMINEES FOR ACHIEVEMENT IN SOUND MIXING.
"AD ASTRA" GARY RYDSTROM, TOM JOHNSON, AND MARK ULANO.
"FORD V FERRARI" PAUL MASSEY, DAVID GIAMMARCO, AND
"JOKER" TOM OZANICH, DEAN ZUPANCIC, AND TOD MAITLAND.
"1917" MARK TAYLOR AND STUART WILSON.
"ONCE UPON A TIME IN HOLLYWOOD" MICHAEL MINKLER, CHRISTIAN P.
MINKLER AND MARK ULANO. >> AND THE OSCAR GOES TO --
"1917," MARK TAYLOR AND STUART WILSON.
>> Announcer: THIS IS THE FIRST OSCAR AND THIRD NOMINATION FOR
MARK TAYLOR. THIS IS THE FIRST OSCAR WIN AND
SIXTH NOMINATION FOR STUART WILSON.
>> I'D LIKE TO ACCEPT THIS AWARD ON BEHALF OF THE ENTIRE "1917"
EACH ONE OF WHOM DID OUTSTANDING WORK ON THIS FILM, FROM MY GUYS
IN THE TRENCHES TO MARK'S TEAM IN THE STUDIO, FOR THEIR
INCREDIBLE SUPPORT. THANKS TO OUR FAMILIES,
VICTORIA, AVA AND TO OUR PRODUCERS, CALLUM, JANE ANN AND
PIPPA. SAM MENDES, NONE OF US WOULD BE
HERE WITHOUT YOU. THANK YOU.
>> I'D LIKE TO THANK THE GREAT TEAM, RACHEL, MIKE FENTON, LEE
SMITH, OUR EDITOR, ALL THE GUYS WHO GAVE US SUCH A GREAT SCORE
TO WORK WITH. ROBBIE AND THE GUYS AT GOLD
CREST. ROB CARLSON AND BITTY BEE.
THANK YOU SO MUCH.
I CAN'T LET YOU
THROW YOURSELF AWAY I CAN'T LET YOU
I CAN'T LET YOU
THROW YOURSELF AWAY THROW YOURSELF AWAY
DON'T YOU WANNA SEE THE SUN
COME UP EACH MORNING DON'T YOU WANNA
SEE THE SUN GO DOWN EACH DAY
DON'T YOU WANNA SEE THAT LITTLE GIRL
WHO LOVES YOU SO HER HEART WOULD BREAK
IF YOU SHOULD GO I CAN'T LET YOU
I CAN'T LET YOU
THROW YOURSELF AWAY I CAN'T LET YOU
I CAN'T LET YOU
THROW YOURSELF AWAY SON, IT SEEMS TO ME
LIKE YOU'RE NEVER GON' BEHAVE YOURSELF
SINCE I'M NOT GONNA DO THIS EVERYDAY
COME TOMORROW YOU'RE GONNA HAVE TO
SAVE YOURSELF GOT NOTHIN' MORE TO SAY
YOU'RE NOT LISTENING ANYWAY
I CAN'T LET YOU I CAN'T LET YOU
THROW YOURSELF AWAY
I CAN'T LET YOU I CAN'T LET YOU
THROW YOURSELF AWAY
I CAN'T LET YOU I CAN'T LET YOU
THROW YOURSELF AWAY
I CAN'T LET YOU I CAN'T LET YOU
THROW YOURSELF AWAY
>> Announcer: WILL FERRELL AND JULIA LOUIS-DREYFUS ARE NEXT.
AND CYNTHIA ERIVO PERFORMS THE NOMINATED SONG "STAND UP" FROM
THE FILM "HARRIET." IT'S ALL COMING UP AT THE DOLBY
THEATRE.
>>> THIS IS INCREDIBLE.
I DO NOT BELONG HERE. WELCOME BACK TO THE OSCARS.
QUESTLOVE, HIT IT. ALL RIGHT.
WE'RE GOING TO DO SOMETHING FUN. WE'RE GOING TO BREAK DOWN WHAT'S
HAPPENED IN THE SHOW SO FAR. HERE WE GO.
YOU DON'T KNOW ME. MOVIES I'VE BEEN IN A FEW
YOU STILL MIGHT CONSIDER ME NEW
I'M HERE TO RECAP THE SHOW AND MC
FOR A BUNCH OF NOMINEES THAT DON'T LOOK LIKE ME
FIRST UP, WHO WE BEEN COASTING
CHRIS ROCK DROPPING BECAUSE HE AIN'T HOSTING
MR. PITT CONGRATS ON WINNING THE
TROPHY MINDY HERE
SHE REPPING FOR SOUTH ASIANS HAIR LOVE WON FOR BEST
ANIMATION HER NAME IS IDINA MENZEL
MR. TRAVOLTA WON FOR SCREENPLAY
BRIDESMAID CREW STANDING WITH YOU
AND WAS THAT YOU LIGHTS UP ON ANTHONY AND MIGHT
TWIN LIN NEXT YEAR IN THE HEIGHTS IS
GUARANTEED TO WIN WHAT YOU SEEING RIGHT IN FRONT
OF YOU IS A SIGN OF THE TIMES
QUESTLOVE ON THE BEAT AND THAT'S HOW YOU RECAP THE
SHOW IN A RHYME KEEP AN OPEN MIND
I'M SURE WE'LL FIND THERE'S PLENTY OF LIGHT HERE
FOR US ALL TO SHINE US ALL TO SHINE
THANK YOU GUYS VERY MUCH. NOW, PLEASE WELCOME TO THE SHAJ,
WILL FERRELL AND JULIA LOUIS-DREYFUS.
>> BECAUSE JULIA LOUIS-DREYFUS AND I HAVE MADE MULTIPLE FILMS
AND HAVE AN ENORMOUS AMOUNT OF EXPERIENCE ON FILM SETS, WE
CERTAINLY UNDERSTAND THE IMPORTANCE, INDEED THE PRIMACY
OF THE ROLE OF THE CINEMATOGRAPHER TO FILM.
>> NOT ONLY DOES THE CINEMATOGRAPHER PREPARE THE
MEALS FOR THE CREW AND CAST, IT IS ALSO THE CINEMATOGRAPHER WHO
KNOCKS ON YOUR TRAILER DOOR TO LET YOU KNOW THAT IT IS TIME TO
GET TO THE SET TO CREATE MAGIC. >> AND IT IS THE
CINEMATOGRAPHER, AND ONLY THE CINEMATOGRAPHER, WHO IS WAITING
PATIENTLY FOR YOU IN THAT GOLF CART TO "TRAVEL" YOU TO SET.
>> OH, HOW SPLENDID, THEN, TO HONOR THESE UNSUNG CINEMATIC
HEROES. >> WAIT, I'M BEING TOLD THAT
THAT -- >> WHAT?
>> THAT IS NOT THE ROLE OF THE CINEMATOGRAPHER.
>> OH. >> AND IT HAS SOMETHING TO DO
WITH CAMERA. >> AH.
WHO THE TALKING TO YOU? >> I HAVE NO IDEA.
>> OH. >> THEY JUST GAVE ME AN EERS
PIECE BACKSTAGE. DO YOU NOT HAVE AN EAR PIECE?
>> UM -- HELLO? HELLO?
NO, I -- I DON'T THINK ANYTHING IS IN THERE.
>> OH. OKAY.
>> OKAY. HERE ARE THE NOMINEES FOR
ACHIEVEMENT IN CINEMATOGRAPHY. "THE IRISHMAN" RODRIGO PRIETO.
"JOKER" LAWRENCE SHER. "THE LIGHTHOUSE" JARIN BLASCHKE.
"1917" ROGER DEAKINS. "ONCE UPON A TIME IN HOLLYWOOD"
ROBERT RICHARDSON. >> AND THE OSCAR GOES TO --
ROGER DEAKINS, "1917." >> Announcer: THIS IS THE SECOND
OSCAR AND 15th NOMINATION FOR ROGER DEAKINS.
>> THANK YOU, WOW. I WANT TO THANK MY FELLOW -- I
WANT TO THANK MY FELLOW NOMINEES FOR THEIR WONDERFULLY INSPIRING
WORK, BUT MORE THAN THAT, I WANT TO THANK THEM FOR THEIR
FRIENDSHIP, TOO. I'M PRETTY GOOD COOK, ACTUALLY,
BUT -- THIS BELONGS TO A LOT OF PEOPLE THAT WORKED ON THIS
MOVIE. MY WIFE WHO WORKED ON IT WITH
ME. IT BELONGS TO MY ASSISTANT, ANDY
HARRIS, WHO IS SOMEWHERE UP THERE.
WHO IS THE PINBALL WIZARD OF FOCUS PULLING, AND YOU'LL NEVER
KNOW WHAT HE DOES, BECAUSE HE -- HE ONLY NOTICES IT IF HE MAKES A
MISTAKE, AND HE NEVER DOES. IT'S TO PETER AND CHARLIE, TWO
FANTASTIC OPERATORS. IT'S TO GARY, GRIP CREW AND
JOHN, WHO HAS BEEN MY FRIEND FOR ABOUT 30-ODD YEARS, WHO IS A
GAFFER. SO, IT'S TO THEM AND ALL THEIR
WONDERFUL TEAM AND I THINK THEY WOULD ALL WANT ME TO SAY THANK
YOU, SAM MENDES, FOR MOST WONDERFUL EXPERIENCE.
THANK YOU. WE'LL NEVER FORGET IT.
>> OKAY, SO THAT WAS CINEMATOGRAPHER.
>> YES. >> YES.
OUR NEXT CATEGORY IS FILM EDITING.
>> OH, WE KNOW ALL ABOUT FILM EDITORS.
THEY'RE THE ONES WHO LIKE TO CUT OUT A LOT OF MY LINES.
>> OH, YEAH. >> YEAH.
>> THEY DID A REAL NUMBER ON ME THIS YEAR.
DID YOU KNOW I WAS ORIGINALLY IN "1917"?
>> NO. >> YEAH.
YEAH. AND "PARASITE"?
>> OH, MY GOD. YOU HAD A WONDERFUL YEAR.
>> I KNOW. >> WELL, LISTEN TO THIS.
IT WAS ORIGINALLY "FORD V FERRARI V FERRELL."
>> WHAT? >> YES.
AND I'M STILL IN A LOT OF THE KEY ART.
>> UNBELIEVABLE. >> I'M JUST GOING TO SAY IT.
I HATE THIS AWARD. >> IT'S AWFUL.
>> IT'S AN AWFUL AWARD. OH, HELLO?
HELLO? OH, YES, I'M HERE.
YEAH, NO, NO -- >> SO, YOU DO HAVE ONE?
>> OH, NO, HE IS, HE'S ABOUT TO SAY THE NOMINEES.
HE'S SAYING IT. JUST SAY IT.
>> HERE ARE THE NOMINEES FOR ACHIEVEMENT IN FILM EDITING.
>> HE JUST DID IT. >> "FORD V FERRARI" MICHAEL
McCUSKER AND ANDREW BUCKLAND. "THE IRISHMAN"
THELMA SCHOONMAKER. "JOJO RABBIT" TOM EAGLES.
"JOKER" JEFF GROTH. "PARASITE" YANG JINMO.
>> AND THE OSCAR GOES TO -- MICHAEL McCUSTER AND ANDREW
BUCKLAND. >> Announcer: THIS IS THE FIRST
OSCAR AND NOMINATION FOR ANDREW BUCKLAND.
THIS IS ALSO THE FIRST WIN AND SECOND NOMINATION FOR MICHAEL
McCUSKER.
>> WOW. HELLO.
LIKE TO THANK THE ACADEMY AND TO THE FELLOW NOMINEES.
INCREDIBLE WORK. WE WOULDN'T BE HERE WITHOUT OUR
STELLAR PICTURE CREW AND OUR OUTSTANDING SOUND TEAM, AS WELL.
TO MY AMAZING AND BEAUTIFUL WIFE, MARIA AND OUR SON, LUCAS,
I LOVE YOU SO MUCH. AND TO MY SISTER CLAIRE AND JOE
AND TO OUR ARMANDO, TO MY MOM AND DAD WHO SUPPORTED ME FROM
THE VERY BEGINNING, I LOVE YOU SO MUCH.
AND MY FAMILY IN ARGENTINA -- >> JAMES MANGOLD.
JAMES MANGOLD, I JUST -- IT'S MY GREAT, GREAT PLEASURE TO HAVE
SAT AND WATCHED YOU BECOME ONE OF THE BEST DIRECTORS IN THIS
BUSINESS IN THE LAST 15 YEARS. THANK YOU SO MUCH.
TO OUR GREAT CAST LED BY MATT AND CHRISTIAN, OUR DP, OUR
PRODUCERS, TO EVERYONE AT 20th CENTURY.
THE TIRELESS AARON DOWNING, TED GALIANO, STEVE AND EMMA WATTS.
AND FINALLY, TO MY DAUGHTER, I LOVE YOU SO MUCH.
I LOVE YOU, BABA. THANK YOU SO MUCH FOR THIS.
THANK YOU.
>> Announcer: PLEASE WELCOME CASTING DIRECTOR AND ACADEMY
PRESIDENT, DAVID RUBIN. >> THOUGH THIS EVENT IS THE
HIGHLIGHT OF THE ACADEMY'S YEAR, THERE'S ANOTHER MILESTONE COMING
UP IN THE VERY NEAR FUTURE. AND HERE'S SOME HISTORY FOR YOU.
IN 1929, THE ACADEMY'S LEADERS DECIDED TO OPEN UP A MUSEUM.
THAT WAS UNDER THE LEADERSHIP OF MY PRESIDENTIAL PREDECESSOR,
DOUGLAS FAIRBANKS. AS YOU CAN IMAGINE, ONLY ONE OF
A MILLION WAYS I'VE BEEN LINKED TO DOUGLAS FAIRBANKS.
WELL, NOW AFTER A MERE NINE DECADES, WE'RE ABOUT TO DO MR.
FAIRBANKS PROUD WITH A SPECIAL ANNOUNCEMENT.
SO MANY WONDERFUL PEOPLE HAVE PUT IN THEIR TIME AND EFFORT TO
MAKE A REALITY OF THIS STATE OF THE ART SHOWCASE OF
MOVIE-MAKING. AND HERE'S ONE OF THE MUSEUM'S
GREATEST CHAMPIONS, TWO-TIME OSCAR WINNER TOM HANKS.
>> THANK YOU. THANK YOU.
THANK YOU, DAVID.
OR AS WE REFER TO HIM AROUND THE OFFICE AS MR. EXCITEMENT.
THERE IS PLENTY OF CULTURE TO BE FOUND HERE IN THE CITY OF
ANGELS. THERE ARE MUSEUMS DEDICATED TO
ART AND MUSIC AND HISTORY AND SCIENCE AND WE EVEN HAVE A
MUSEUM DEDICATED TO SELFIES. I'M NOT SURE WHY.
BUT THERE IT IS. LOOK IT UP AND ENJOY, I GUESS.
BUT THERE'S NEVER BEEN A MUSEUM DEDICATED TO THE ART AND
SCIENCES OF MOTION PICTURES. BUT IT IS BEING BORN, THIS LABOR
OF LOVE. WE WERE OVER THERE JUST THIS
MORNING. I WAS PUTTING UP SOME DRYWALL.
SCARLETT JOHANSSON HAD BROUGHT HER ORBITAL SANDER.
BRAD PITT WAS ON THE ROOF WORKING WITH HIS SHIRT OFF.
AS WAS COLIN JOST. AND DUDE, THAT WAS NO CONTEST.
WE'RE ALL VERY PROUD OF WHAT HAS BEEN ACCOMPLISHED SO FAR IN THE
LANDMARK THAT IS TAKING SHAPE AT FAIRFAX AND WILESHIRE, THAT IS
FAIRFAX AND WILLSHIRE AND IT IS MY PLEASURE TO ANNOUNCE THAT THE
ACADEMY MUSEUM OF MOTION PICTURES WILL OPEN ITS DOORS ON
DECEMBER 14th, 2020. IT'S GOING TO BE A VERY BIG
DEAL. WE'LL SEE YOU THERE.
AND I AM SPARTACUS.
>>> HELLO, EVERYBODY.
WE ARE AT THE OSCARS. I'M ZAZIE BEETZ AND DOWN IN
FRONT OF ME IN THE ORCHESTRA PIT IS RICKEY MINOR, OUR MUSIC
DIRECTOR. I'M VERY NERVOUS.
I'M SORRY. HOW ARE YOU DOING TONIGHT?
>> I HAVE THAT EFFECT ON PEOPLE. DON'T FEEL BAD ABOUT IT.
>> THANK YOU, I NKNOW. I THINK YOU ACTUALLY KNOW OUR
NEXT PERFORMER, CYNTHIA ERIVO. >> OKAY, CYNTHIA IS JUST AMAZING
ACTRESS, SINGER AND A GREAT PERFORMER.
BUT SHE'S MY DEAREST FRIEND, AS WELL, AND I LOVE HER.
>> I LOVE THAT. WELL, HERE TO PERFORM "STAND
UP," A NOMINATED ORIGINAL SONG FROM THE MOVIE "HARRIET" IS
CYNTHIA ERIVO.
I BEEN WALKIN'
WITH MY FACE TURNED TO THE SUN
WEIGHT ON MY SHOULDERS A BULLET IN MY GUN
OH, I GOT EYES IN THE BACK OF MY HEAD
JUST IN CASE I HAVE
TO RUN I DO WHAT I CAN
WHEN I CAN WHILE I CAN
FOR MY PEOPLE WHILE THE CLOUDS ROLL BACK
AND THE STARS FILL THE NIGHT THAT'S WHEN I'M
GONNA STAND UP TAKE MY PEOPLE WITH ME
TOGETHER WE ARE GOING TO A BRAND NEW HOME
FAR ACROSS THE RIVER CAN YOU HEAR FREEDOM CALLING
CALLING ME TO ANSWER GONNA KEEP ON KEEPIN' ON
I CAN FEEL IT IN MY BONES EARLY IN THE MORNIN
BEFORE THE SUN BEGINS TO SHINE
WE'RE GONNA START MOVIN' TOWARDS THAT
SEPARATING LINE I'M WADIN'
THROUGH MUDDY WATERS YOU KNOW I GOT
A MADE UP MIND I MADE UP MY MIND
AND I DON'T MIND IF I LOSE ANY BLOOD
ON THE WAY TO SALVATION AND I'LL FIGHT
WITH THE STRENGTH THAT I GOT UNTIL I DIE
SO I'M GONNA STAND UP TAKE MY PEOPLE WITH ME
TOGETHER WE ARE GOING TO A BRAND NEW HOME
FAR ACROSS THE RIVER CAN YOU HEAR FREEDOM CALLING
CALLING ME TO ANSWER GONNA KEEP ON KEEPIN' ON
AND I KNOW WHAT'S AROUND THE BEND
MIGHT BE HARD TO FACE 'CAUSE I'M ALONE
AND I JUST MIGHT FAIL BUT LORD KNOWS I TRIED
SURE AS STARS FILL UP THE SKY
STAND UP TAKE MY PEOPLE WITH ME
TOGETHER WE ARE GOING TO A BRAND NEW HOME
FAR ACROSS THE RIVER I HEAR FREEDOM CALLING
CALLING ME TO ANSWER GONNA KEEP ON KEEPIN' ON
I CAN FEEL IT IN MY BONES I GO
TO PREPARE A PLACE FOR YOU I GO
TO PREPARE A PLACE FOR YOU
>> Announcer: JAMES CORDEN AND REBEL WILSON ARE NEXT.
THEN LATER, THE OSCAR FOR BEST ACTOR.
KEEP WATCHING.
>> Announcer: PLEASE WELCOME REBEL WILSON AND JAMES CORDEN.
>> AS CAST MEMBERS OF THE MOTION PICTURE "CATS" --
>> NOBODY MORE THAN US UNDERSTANDS THE IMPORTANCE OF --
>> GOOD VISUAL EFFECTS. >> HERE ARE THE NOMINEES FOR
ACHIEVEMENT IN VISUAL EFFECTS. >> "AVENGERS: ENDGAME" DAN
DELEEUW, RUSSELL EARL, MATT AITKEN AND DAN SUDICK.
"THE IRISHMAN" PABLO HELMAN, LEANDRO ESTEBECORENA, NELSON
SEPULVEDA-FAUSER AND STEPHANE GRABLI.
"THE LION KING" ROBERT LEGATO, ADAM VALDEZ, ANDREW R. JONES AND
ELLIOT NEWMAN. "1917" GUILLAUME ROCHERON, GREG
BUTLER AND DOMINIC TUOHY. "STAR WARS: THE RISE OF
SKYWALKER" ROGER GUYETT, NEAL SCANLAN, PATRICK TUBACH
AND DOMINIC TUOHY. AND THE --
>> AND THE OSCAR GOES TO --
>> "1917." >> Announcer: THIS IS THE SECOND
OSCAR AND SECOND NOMINATION FOR GUILLAUME ROCHERON AND FIRST WIN
AND SECOND NOMINATION FOR GREG BUTLER AND THE FIRST WIN AND
THIRD NOMINATION FOR DOMINICK T
TUOHY.
>> WOW. THANK YOU FOR THE ACADEMY FOR
THIS TREMENDOUS HONOR. "1917" IS WHAT YOU CALL A DREAM
PROJECT. A CHANCE TO COLLABORATE WITH
SOME TRULY FANTASTIC PEOPLE. THANK YOU TO SAM MENDES FOR
BEING SO INSPIRATIONAL AND LEADING US THROUGH, YOU KNOW,
THIS EPIC JOURNEY. I WANT TO THANK OUR PRODUCERS,
EVERYBODY AT UNIVERSAL FOR YOUR COLLABORATION AND SUPPORT.
THANK YOU TO MY BEAUTIFUL WIFE KATE, FOR STANDING RIGHT BY ME
IN EVERY STEP OF THE WAY AND I WANT TO THANK THE TEAM OF 600
ARTISTS AT MPC AND OUR FANTASTIC SPECIAL EFFECTS TEAM , WE SHARE
THIS AWARD, THANK YOU. >> THANK YOU, KIDS AT HOME,
THANK YOU TO THE TEAM, THANK YOU.
>> THANK YOU. >> Announcer: PLEASE WELCOME RAY
ROMANO AND SANDRA OH.
>> GOOD EVENING.
WE'RE HERE TO PRESENT THE AWARD FOR MAKEUP AND HAIRSTYLING.
IT'S IMPOSSIBLE TO OVERSTATE THE ROLE THAT AIR AND MAKEUP PLAY IN
THE CRAFT OF FILMMAKING. CASE IN POINT, I'M 87 YEARS OLD.
>> AND I'M CHARLIZE THERON. >> AS ACTORS, OUR TRANSFORMATION
STARTS IN THE MAKEUP AND HAIR TRAILER.
>> LISTEN, ALL JOKING ASIDE, I SAW FIRST-HAND HOW TALENTED HAIR
AND MAKEUP PEOPLE ARE. IN "THE IRISHMAN," THEY WOULD
TRANSFORM US EVERY DAY. I WOULD JUST SIT THERE AND BE
AMAZED. AND PESCI WOULD COME IN AND
SAY -- >> I THINK -- THEY'RE GOING TO
BLEEP THAT. NOT EVERYTHING IS NETFLIX, RAY.
>> SORRY. I GOT CARRIED AWAY.
>> EVERYONE WOKE UP THERE. >> HERE ARE THE WONDERFULLY
TALENTED ARTISTS NOMINATED THIS YEAR FOR ACHIEVEMENT IN MAKEUP
AND HAIRSTYLING. "BOMBSHELL" KAZU HIRO, ANNE
MORGAN AND VIVIAN BAKER. "JOKER" NICKI LEDERMANN AND KAY
GEORGIOU. "JUDY" JEREMY WOODHEAD.
"MALEFICENT: MISTRESS OF EVIL" PAUL GOOCH, ARJEN TUITEN AND
DAVID WHITE. "1917" NAOMI DONNE, TRISTAN
VERSLUIS AND REBECCA COLE. >> AND THE OSCAR GOES TO --
"BOMBSHELL." KAZU HIRO, ANNE MORGAN AND
VIVIAN BAKER. >> Announcer: THIS IS THE SECOND
OSCAR AND FOURTH NOMINATION FOR KAZU HIRO.
THE FIRST OSCAR AND NOMINATION FOR ANNE MORGAN AND VIVIAN
BAKER. >> THANK YOU VERY MUCH.
IT IS A GREAT HONOR AND WE WOULD LIKE TO THANK MEMBERS OF THE
ACADEMY AND DIRECTOR JAY ROACH AND CHARLES, BOB GRAF, DAVE
JOHNSON AND THE ENTIRE TEAM AT THE STUDIO AND LIONSGATE.
AND THE CAST AND CREW AND FRIENDS AND FAMILY FOR THEIR
AMAZING SUPPORT AND MY MENTORS, RICK BAKER AND DICK SMITH.
AND WE WOULD LIKE TO GIVE OUR HEARTFELT THANKS TO CHARLIZE
THERON. YOU ARE AMAZING.
YOU ARE AMAZING ACTOR AND PRODUCER AND YOUR COMPASSION AND
LOVE AND CARE MADE THIS FILM POSSIBLE.
AND BECAUSE OF YOUR BRAVERY AND PASSION, WE ARE ABLE TO SET THE
NEW BAR IN MAKEUP INDUSTRY AND CREATE A NEW WAY TO TELL
STORIES. THANK YOU VERY MUCH AND -- WE
WOULDN'T BE GETTING THIS AWARD WITHOUT YOU.
>> Announcer: COMING UP, PENELOPE CRUZ AND ELTON JOHN
PERFORMS "ROCKETMAN'S" "(I'M GONNA) LOVE ME AGAIN."
THEN LATER, THE OSCARS FOR DIRECTING, BEST ACTOR AND
>>> GROWING UP, I WAS REALLY
INFLUENCED BY THE WORK OF PEDRO ALMODOVAR.
EVEN AS A TEENAGER, I FELT A VERY DEEP CONNECTION WITH HIS
VISION. HIS FILMS ARE THE REASON WHY I
WANTED TO BE AN ACTRESS. EVERY NATION, EVERY CULTURE, HAS
ITS OWN ICONIC FILMS. AND OVER TIME, I BEGAN TO FALL
IN LOV DIFFERENT DIRECTORS FROM AROUND
THE WORLD. NAMES LIKE FELLINI, CHABROL, RH.
LIFE HAS SO MUCH MORE TO SHOW US THAN WHAT WE SEE EVERY DAY.
FILMS FROM AROUND THE WORLD NOT ONLY PROVIDE A VIVID WINDOW INTO
PLACES AND CULTURES UNLIKE OUR OWN.
THEY OPEN A DOORWAY INTO OUR MINDS AND HEARTS.
THE MORE WE WATCH, THE MORE WE KNOW.
THE MORE WE KNOW, THE MORE WE CARE.
NO MATTER WHERE WE ARE FROM, WE ALL ASK OURSELVES THE
QUESTIONS, AND SOMETIMES THE ANSWER COULD BE HIDDEN IN A FILM
THAT REPRESENTS OUR GLOBAL LANGUAGE OF CINEMA.
>> Announcer: PLEASE WELCOME ACADEMY AWARD-WINNING ACTRESS
PENELOPE CRUZ. >> GOOD EVENING.
AND HERE ARE THE NOMINEES FOR BEST INTERNATIONAL FEE DHATURE .
FROM POLAND, " DIRECTED BY LJUBO STEFANOV AND
TAMARA KOTEVSKA. FROM FRANCE, "LES MISRABLES"
DIRECTED BY LADJ LY. FROM SPAIN, "PAIN AND GLORY."
DIRECTED BY PEDRO ALMODVAR. FROM SOUTH KOREA, "PARASITE."
DIRECTED BY BONG JOON HO. AND THE OSCAR GOES TO --
"PARASITE." >> Announcer: THIS IS THE FIRST
MOVIE FROM SOUTH KOREA TO BE NOMINATED AND TO WIN THE OSCAR.
>> THANK YOU. GREAT HONOR.
>> Translator: THE CATEGORY HAS A NEW NAME NOW, FROM BEST
FOREIGN LANGUAGE TO BEST INTERNATIONAL FEATURE FILM.
I'M SO HAPPY TO BE ITS FIRST RECIPIENT UNDER THE NEW NAME.
I APPLAUD AND SUPPORT THE NEW DIRECTION THAT THIS CHANGE
SYMBOLIZES. ALL OUR LOVING CREW MEMBERS AND
CAST MEMBERS ARE HERE WITH US TODAY.
PLEASE SEND A ROUND OF APPLAUSE TO THE ACTORS AND CREW MEMBERS
OF "PARASITE." >> AND OUR GREAT PRODUCTION
DESIGNER AND WONDERFUL -- >> Translator: I CONGRATULATE
ALL THE GREAT ARTISTS HERE TONIGHT.
I ALSO THANK EVERYONE WHO ALLOWED ME TO ACTUALIZE MY
VISION. THANK YOU AND -- YEAH.
I'M READY TO DRINK TONIGHT. UNTIL NEXT MORNING.
THANK YOU.
OH THE JOKE
WAS NEVER HARD TO TELL THREW MY SPARE CHANGE
IN THE WISHING WELL THE DREAM ALONE
IS ALWAYS IN YOUR HANDS IF THAT DON'T FILL THE BOY
AND BUILD THE MAN A HEART HAS MANY SECRETS
SO I'M TOLD THROUGH THE YEARS A THEORY
CAN GROW COLD I'M UP TO BE THE KING
IT'S GOTTEN CLEAR THE VOICE INSIDE MY HEAD
IS THE ONE I HEAR SINGING I'M GONNA
LOVE ME AGAIN CHECK IN ON MY
VERY BEST FRIEND FIND THE WIND TO
FILL MY SAILS RISE ABOVE THE
BROKEN RAILS UNBOUNDANY TIES
THAT BREAK OR BEND I'M FREE
AND DON'T YOU KNOW NO CLOWN TO CLAIM
HE USED TO KNOW ME THEN I'M FREE
AND DON'T YOU KNOW AND OH OH OH
I'M GONNA LOVE ME AGAIN THE GOLDEN AGE WAS
SOMEHOW BITTERSWEET BUT NOW THE PAST LIES
SLEEPING IN THE DEEP THE PEACEFUL DAYS THAT
FOLLOWED HOLLOW NIGHTS A KISS OR TOUCH COULD
FEEL LIKE KRYPTONITE PRAISE THE SAINTS THAT
HUNG UP ON MY WALL FOR TRUST IS LEFT IN
LOVERS AFTER ALL A WHISPERED WORD
EMERGING FROM A TALE MY WAKE-UP CALL
TO CLAIM THE CURSED SPELL AND I'M GONNA
LOVE ME AGAIN CHECK IN ON MY
VERY BEST FRIEND FIND THE WIND TO
FILL MY SAILS RISE ABOVE THE
BROKEN RAILS UNBOUND BY ANY TIES
THAT BREAK OR BEND I'M FREE
AND DON'T YOU KNOW NO CLOWN TO CLAIM
HE USED TO KNOW ME THEN I'M FREE
AND DON'T YOU KNOW AND OH OH OH
I'M GONNA LOVE ME AGAIN
SING I'M GONNA
LOVE ME AGAIN CHECK IN ON MY
VERY BEST FRIEND FIND THE WIND TO
FILL MY SAILS RISE ABOVE THE
BROKEN RAILS UNBOUND BY ANY TIES
THAT BREAK OR BEND I'M FREE
AND DON'T YOU KNOW NO CLOWN TO CLAIM
HE USED TO KNOW ME THEN I'M FREE
AND DON'T YOU KNOW AND OH OH OH
OH OH OH OH OH OH
I'M GONNA LOVE ME AGAIN
>> Announcer: TAIKA WAITITI, SIGOURNEY WEAVER, GAL GADOT AND
BRIE LARSON ARE NEXT. PLUS RAMI MALEK, SPIKE LEE,
OLIVIA COLMAN AND THE OSCAR FOR BEST PICTURE.
IT'S ALL HERE LIVE AT THE DOLBY THEATRE AT
HOLLYWOOD AND HI
>> Announcer: PLEASE WELCOME
ACADEMY AWARD-WINNING WRITER, TAIKA WAITITI.
>> THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES WOULD LIKE TO
ACKNOWLEDGE THAT TONIGHT WE HAVE GATHERED ON THE ANCESTRAL LANDS
OF THE TONGVA, THE TATAVIAM AND THE CHUMASH.
WE ACKNOWLEDGE THEM AS THE FIRST PEOPLES OF THIS LAND ON WHICH
OUR MOTION PICTURE COMMUNITY LIVES AND WORKS.
AND NOW, IT IS MY HONOR TO RECOGNIZE THIS PAST YEAR'S
RECIPIENTS AT THE GOVERNORS AWARDS.
AND THAT CEREMONY, HONORARY OSCARS WERE PRESENTED TO ACTOR
WES STUDI AND DIRECTORS DAVID LYNCH AND LINA WERTMULLER.
THE JEAN HERSHOLT HUMANITARIAN AWARD WENT TO ACTRESS
GEENA DAVIS. WITH US TONIGHT ARE WES STUDI
AND GEENA DAVIS. RIGHT THERE.
AND NOW, PLEASE WELCOME GAL GADOT, ACADEMY AWARD
NOMINATED ACTRESS SIGOURNEY WEAVER AND ACADEMY
AWARD-WINNER BRIE LARSON.
>> IT IS AN ABSOLUTE HONOR TO STAND BESIDE MY FELLOW SUPER
HERO GAL AND THE WOMAN WHO PAVED THE WAY FOR US, SIGOURNEY
WEAVER. YES, YES.
WE ARE SO GRATEFUL. >> WE ARE SO GRATEFUL FOR YOU
AND IT IS SUCH AN HONOR TO BE STANDING HERE WITH YOU.
>> OH, GUYS. GOSH.
YEAH, THE THREE OF US MAKE A POWERFUL COMBINATION, AND IN
FACT, JUST NOW BACKSTAGE, WE DECIDED THAT AFTER THE SHOW,
WE'RE GOING TO START A FIGHT CLUB.
AND IF ANYONE WANTS IN -- >> MEN ARE ALL INVITED, BUT NO
SHIRTS ALLOWED. >> YEAH.
I'M SORRY, IT'S HOLLYWOOD, GUYS. >> THE WINNER WILL GET A
LIFETIME SUPPLY OF DEODORANT, SUSHI AND TEQUILA.
>> YEAH. AND THE LOSER GETS TO ANSWER
QUESTIONS FROM JOURNALISTS ABOUT HOW IT FEELS TO BE A WOMAN IN
HOLLYWOOD. YES.
>> YOU DON'T WANT TO LOSE. KIDDING ASIDE, WE WANT TO STAND
HERE TOGETHER AND SAY THAT ALL WOMEN ARE SUPER HEROES.
>> TRUE. >> YES.
>> AND TONIGHT, ESPECIALLY, WE WANT TO CELEBRATE THAT FOR THE
FIRST TIME IN THE 92-YEAR HISTORY OF THE ACADEMY AWARDS, A
FEMALE CONDUCTOR WILL BE LEADING THE ORCHESTRA FOR THIS
PERFORMANCE. >> FINALLY.
>> SO HERE IS MAESTRO EIMEAR NOONE TO CONDUCT THIS YEAR'S
NOMINATED BEST ORIGINAL SCORES.
>> AND THE -- AND THE OSCAR GOES TO -- HILDUR GUONADOTTIR FOR
"JOKER." >> Announcer: IN IS THE FIRST
OSCAR AND NOMINATION FOR HILDUR
GUONADOTTIR.
>> WOW. WOW.
THIS IS SO TOUCHING. THANK YOU, THE ACADEMY FOR
WELCOMING ME SO WARMLY. IT'S JUST -- I DON'T KNOW WHAT
TO SAY. MY FELLOW NOMINEES, MASTERS OF
THE CRAFT, IT'S BEEN SUCH AN HONOR TO GET TO KNOW YOU ALL.
IT'S SO SPECIAL. A FILM COMPOSER IS ONLY AS
CREATIVE AS THE DIALOGUE WITH THE DIRECTOR.
TODD PHILLIPS, YOU WERE SO GENEROUS TO INVITE ME ON THIS
JOURNEY AND LISTEN TO ME THE WHOLE WAY.
SO ATTENTIVE. I THANK YOU FOR THAT SO DEEPLY.
AND BRADLEY, AS WELL. THANK YOU, BRADLEY, AS WELL.
MY FAMILY, MY BEAUTIFUL FAMILY, WHO ARE HERE WITH ME TONIGHT.
MY INCREDIBLE HUSBAND, SAM, MY LOVE, MY BEST FRIEND, MY OTHER
SET OF EARS, I'D BE LOST WITHOUT YOU.
MY MOTHER, MY SON, I CAN'T SEE YOU BUT I LOVE YOU SO MUCH.
I LOVE YOU. TO THE GIRLS, TO THE WOMEN, TO
THE MOTHERS, TO THE DAUGHTERS, WHO HEAR THE MUSIC BUBBLING
WITHIN, PLEASE SPEAK UP. WE NEED TO HEAR YOUR VOICES.
>> OH, MAN, THAT'S COOL. OVER THE COURSE OF THE EVENING,
YOU'VE SEEN PERFORMANCES OF THE YEAR'S FIVE BEST ORIGINAL SONGS.
ONCE AGAIN, HERE ARE THE NOMINEES.
"I CAN'T LET YOU THROW YOURSELF AWAY" FROM "TOY STORY 4," MUSIC
AND LYRICS BY RANDY NEWMAN. "I'M GOING TO LOVE ME AGAIN"
FROM "ROCKETMAN," MUSIC BY ELTON JOHN, LYRICS BY BERNIE TAUPIN.
"I'M STANDING WITH YOU" FROM "BREAKTHROUGH."
MUSIC AND LYRICS BY DIANE WARREN.
"INTO THE UNKNOWN" FROM FROZEN 2, MUSIC AND LYRICS BY KRISTEN
ANDERSON-LOPEZ AND ROBERT LOPEZ. STAND UP FROM "HART RIET," MUSI
AND LYRICS BY JOSHUAH BRIAN CAMPBELL AND CYNTHIA ERIVO.
>> AND THE OSCAR GOES TO -- SIR ELTON JOHN AND BERNIE TAUPIN FOR
"I'M GONNA LOVE ME AGAIN" FROM "RO
"ROCKETMAN." >> Announcer: THIS IS THE FIRST
OSCAR AND NOMINATION FOR BERNIE TAUPIN.
THIS IS THE SECOND OSCAR AND FOURTH NOMINATION FOR ELTON
JOHN.
>> WOW, THIS DOESN'T SUCK. I'LL BE BRIEF.
OKAY, THANK YOU, ACADEMY, FELLOW NOMINEES.
BLESS YOU ALL. CONGRATULATIONS.
PARAMOUNT PICTURES, JIM, YOU GUYS HAVE BEEN FIRST CLASS ALL
THE WAY THROUGH THIS. THIS, NEEDLESS TO SAY, MOST OF
THIS GOES TO THE PEOPLE THAT WERE INVOLVED IN "ROCKETMAN."
A LITTLE BIT OF THIS IS IN EVERY ONE OF THEIR HEARTS.
DAVID, YOUR TENACITY AND DEDICATION HAS DRIVEN THIS TRAIN
ALL THE WAY HERE. HEATHER, YOU HAVE MY BACK 24
HOURS ADDAE, YOUR BEAUTY, GRACE, GOOD HUMOR, JUST, I LOVE YOU,
ALL RIGHT? AND BEING HERE WITH THIS GUY --
I DON'T EVEN KNOW -- I DON'T HAVE WORDS FOR IT, I MEAN, THIS
IS -- THIS IS JUST -- JUSTIFICATION FOR 53 YEARS OF
JUST HAMMERING IT OUT AND DOING WHAT WE DO AND -- SO, THANK YOU
ALL. CHARLIE, GEORGIE, I LOVE YOU.
>> I HAVE TO BE VERY QUICK, WE'RE GOING OVER TIME.
THANK YOU TO BERNIE WHO HAS BEEN THE CONSTANT THING IN MY LIFE
WHEN I WAS SCREWED UP, WHEN I WAS NORMAL.
HE'S ALWAYS BEEN THERE FOR ME. DAVID, I LOVE YOU SO MUCH.
MATTHEW VAUGHN, TARON, WHAT A PERFORMANCE.
GILES MARTIN, FOR THE MUSIC. MATT STILL, GREG, EVERYBODY
INVOLVED IN "ROCKETMAN." PARAMOUNT PICTURES, JIM, I MEAN,
JUST AMAZING. I'M GOING TO LEAVE SOMEBODY OUT,
WHO HAVE I LEFT OUT? ANYWAY, I'M TAKING TOO MUCH TIME
THIS IS A DREAM FOR US. WE'VE NEVER BEEN NOMINATED
BEFORE FOR ANYTHING LIKE THIS. THANK YOU TO THE ACADEMY.
THANK YOU TO MY FELLOW NOMINEES FOR ALL THE GREAT WORK YOU DO,
THERE'S SOME AMAZING TALENT IN THIS ROOM TONIGHT AND -- WOW.
AND TO MY BEAUTIFUL BOYS WHO ARE WATCHING THIS IN SYDNEY, ZACHARY
AND ELIJAH, HOW MUCH DO I LOVE YOU?
LOVE YOU. DADDY LOVE YOU.
BYE.
>> Announcer COMING UP, SPIKE LEE AND OLIVIA COLMAN.
RAMI MALEK REVEALS WHO BRINGS HOME THE AWARD FOR BEST ACTRESS.
KEEP WATCHING.
>>> WHEN WE RETURN, THE AWARD FOR BEST DIRECTOR.
BUT FIRST, A SPECIAL LOOK AT THE TIMELESS ART OF FILMMAKING.
.
>> Announcer: WE'RE BACK AT THE OSCARS.
AND NOW, PLEASE WELCOME ACADEMY AWARD WINNER SPIKE LEE.
>> LAST TIME I WAS ON THIS STAGE, I HAD THE HONOR OF
JUMPING INTO SAMUEL L. JACKSON'S ARMS.
AND THANK GOD HE DIDN'T DROP ME. SAME HONOR HERE TONIGHT, HERE
ARE THE NOMINEES FOR ACHIEVEMENT IN DIRECTING.
MARTIN SCORSESE "THE IRISHMAN" TODD PHILLIPS "JOKER"
SAM MENDES "1917" QUENTIN TARANTINO "ONCE UPON A
TIME IN HOLLYWOOD" BONG JOON HO "PARASITE"
BONG JOON-HO. >> Announcer: THIS IS THE SECOND
OSCAR TONIGHT AND THE THIRD NOMINATION FOR BONG JOON-HO.
>> THANK YOU. >> Translator: AFTER WINNING
BEST INTERNATIONAL FEATURE, I THOUGHT I WAS DONE FOR THE DAY
AND WAS READY TO RELAX.
THANK YOU SO MUCH. WHEN I WAS YOUNG AND STUDYING
CINEMA, THERE WAS A SAYING THAT I CARVED DEEP INTO MY HEART,
WHICH IS, THE MOST PERSONAL IS THE MOST CREATIVE.
>> THAT QUOTE IS FROM OUR GREAT MARTIN SCORSESE, SO --
>> Translator: WHEN I WAS IN SCHOOL, I STUDIED MARTIN
SCORSESE'S FILMS. JUST TO BE NOMINATED WAS A HUGE
HONOR. I NEVER THOUGHT I WOULD WIN.
WHEN PEOPLE IN THE U.S. WERE NOT FAMILIAR WITH MY FILM, QUENTIN
ALWAYS PUT MY FILMS ON HIS LIST. HE'S HERE, THANK YOU SO MUCH.
>> QUENTIN, I LOVE YOU.
>> Translator: AND TODD AND SAM, GREAT DIRECTORS THAT I ADMIRE.
IF THE ACADEMY ALLOWS, I WOULD LIKE TO GET A TEXAS CHAINSAW,
SPLIT THE OSCAR TROPHY INTO FIVE AND SHARE IT WITH ALL OF YOU.
>> THANK YOU. I WILL DRINK UNTIL NEXT MORNING.
THANK YOU. >> Announcer: PLEASE WELCOME
THREE-TIME ACADEMY AWARD WINNER AND RECIPIENT OF THE ACADEMY'S
THALBERG AWARD, STEVEN SPIELBERG.
>> THIS EVENING, AS WE CELEBRATE THE ARTISTIC HIGHLIGHTS OF THE
PAST YEAR, WE ALSO PAUSE T REMEMBER THOSE FROM OUR
COMMUNITY WHO WE LOST. LEGENDS AND ICONS, OUR FRIENDS
AND FELLOW ARTISTS, ALL WHO INSPIRED AND TOUCHED US.
THEY HAVE LEFT AN INDELIBLE IMPACT ON OUR INDUSTRY, OUR
IMAGINATIONS, AND OUR UNDERSTANDING OF THE WORLD.
AND NOW, AS BILLIE EILISH AND FINNEAS PERFORM IN THEIR HONOR,
LET US REMEMBER THEIR LIVES AND THEIR LEGACY.
YESTERDAY
ALL MY TROUBLES SEEMED SO FAR AWAY
NOW IT LOOKS AS THOUGH THEY'RE HERE TO STAY
OH, I BELIEVE IN YESTERDAY
SUDDENLY I'M NOT HALF THE MAN
I USED TO BE THERE'S A SHADOW
HANGING OVER ME OH, YESTERDAY
CAME SUDDENLY WHY SHE HAD TO GO
I DON'T KNOW SHE WOULDN'T SAY
I SAID SOMETHING WRONG NOW I LONG
FOR YESTERDAY YESTERDAY
LOVE WAS SUCH AN EASY GAME TO PLAY
NOW I NEED A PLACE TO HIDE AWAY
OH, I BELIEVE IN YESTERDAY
MMM
WHY SHE HAD TO GO I DON'T KNOW
SHE WOULDN'T SAY I SAID SOMETHING WRONG
NOW I LONG FOR YESTERDAY
YESTERDAY LOVE WAS SUCH
AN EASY GAME TO PLAY NOW I NEED A PLACE
TO HIDE AWAY OH, I BELIEVE
IN YESTERDAY OH, I BELIEVE
IN YESTERDAY MMM
>>> WELCOME BACK.
I'M GEORGE MACKAY. AND I'M HANGING UP HERE IN THE
BALCONY. IS EVERYONE HAVING A GOOD TIME?
WELL, WE'RE COMING TO THE FINAL THREE AWARDS OF THE EVENING, AND
TIME IS OF THE ESSENCE, WHICH IS WHY I'M HERE TO INTRODUCE MYSELF
BEFORE INTRODUCING SOMEONE ELSE WHO WILL IN TURN INTRODUCE
SOMEONE ELSE. SO, PLEASE WELCOME ACTING
ROY ROYALTY.
THE TRULY BRILLIANT AND WONDERFUL, ACADEMY AWARD WINNER
OLIVIA COLEMAN.
>> WINNING AN OSCAR AGES YOU.
HELLO THERE. THANK YOU FOR HAVING ME BACK.
IT'S SUCH A PLEASURE TO BE HERE. LAST YEAR WAS THE BEST NIGHT OF
MY HUSBAND'S LIFE. HE ACTUALLY SAYS THAT.
AND I'VE GIVEN BIRTH THREE TIMES.
SO, I HOPE YOU'RE ALL HAVING AS GOOD A TIME AS HE DID.
AND AS I DID. I DON'T WANT TO KEEP YOU FROM
THE BAR MUCH LONGER. I KNOW I'M SUPPOSED TO TALK
ABOUT ACTING AND FIND SOME CLEVER THREAD CONNECTING THESE
PERFORMANCES, BUT THEIR BEAUTY AND BRILLIANCE SURELY LIES IN
THE FACT THAT THERE ISN'T ONE AND I'M SORRY, BUT ALL THESE MEN
CAN'T WIN. >> YOU DON'T LISTEN, DO YOU?
YOU JUST ASK THE SAME QUESTIONS EVERY WEEK.
HOW'S YOUR JOB? ARE YOU HAVING ANY NEGATIVE
THOUGHTS? DO I HAVE NEGATIVE THOUGHTS?
>> THERE ARE NO OTHER FRONTS. THIS IS THE THING.
HE NEEDS TO KNOW THAT I FOUGHT FOR HIM.
>> LOOK, FACE-TO-FACE WITH THE FAILURE THAT IS YOUR CAREER
AIN'T WORTH CRYINN'KNOW WHAT IS. >> DID JESUS BUILD WALLS?
THIS PLACE IS A PLACE OF MERCY. MERCY IS THE DYNAMITE THAT BLOWS
DOWN WALLS. >> WHAT'S HAPPENING TO EASY
BREEZY NOW. >> HE'S COMING TO TERMS TO WHAT
IT'S LIKE TO BE MORE USELESS. >> I DON'T KNOW WHY EVERYONE IS
SO RUDE. I DON'T KNOW WHY YOU ARE.
I DON'T WANT ANYTHING FROM YOU. MAYBE A LITTLE BIT OF WARMTH,
MAYBE A HUG, DAD. WHAT IS IT WITH YOU PEOPLE?
>> EVERY DAY I WAKE UP AND I HOPE YOU'RE DEAD.
IF I COULD GUARANTEE HENRY WOULD BE OKAY, I'D HOPE YOU'LL GET AN
ILLNESS, GET HIT BY A CAR AND DIE.
>> I REMIND YOU THE TRUTH MAY BE VITAL, BUT WITHOUT LOVE, IT IS
UNBEARABLE.
>> HERE ARE THE NOMINEES FOR PERFORMANCE BY AN ACTOR IN A
IS LEADING ROLE. ANTONIO BANDERAS, "PAIN AND
GLORY." LEONARDO DICAPRIO, "ONCE UPON A
TIME IN HOLLYWOOD" ADAM DRIVER, "MARRIAGE STORY"
JOAQUIN PHOENIX, "JOKER" JONATHAN PRYCE, "THE TWO POPES"
AND THE OSCAR GOES TO -- JOAQUIN PHOENIX, "JOKER."
>> Announcer: THIS IS THE FIRST OSCAR AND FOURTH NOMINATION FOR
JOAQUIN PHOENIX. >> HI.
WHAT'S UP? HI.
GOD, I'M FULL OF SO MUCH GRATITUDE RIGHT NOW AND I DO NOT
FEEL ELEVATED ABOVE ANY OF MY FELLOW NOMINEES OR ANYONE IN
THIS ROOM, BECAUSE WE SHARE THE SAME LOVE, THE LOVE OF FILM AND
THIS FORM OF EXPRESSION HAS GIVEN ME THE MOST EXTRAORDINARY
LIFE. I DON'T KNOW WHAT I'D BE WITHOUT
IT. BUT I THINK THE GREATEST GIFT
THAT IT HAS GIVEN ME, AND MANY OF US IN THIS ROOM, IS THE
OPPORTUNITY TO USE OUR VOICE FOR THE VOICELESS.
I'VE BEEN THINKING A LOT ABOUT SOME OF THE DISTRESSING ISSUES
THAT WE ARE FACING COLLECTIVELY AND I THINK AT TIMES WE FEEL OR
ARE MADE TO FEEL THAT WE CHAMPION DIFFERENT CAUSES.
BUT FOR ME, I SEE COMMONALITY. I THINK WHETHER WE'RE TALKING
ABOUT GENDER INEQUALITY OR RACISM OR QUEER RIGHTS OR
INDIGENOUS RIGHTS OR ANIMAL RIGHTS, WE'RE TALKING ABOUT THE
FIGHT AGAINST THE BELIEF, ONE NATION, ONE RACE, ONE GENDER OR
ONE SPECIES HAS THE RIGHT TO DOMINATE, CONTROL AND USE AND
EXPLOIT ANOTHER WITH IMPIMPUNIT. I THINK THAT WE'VE BECOME VERY
DISCONNECTED FROM THE NATURAL WORLD AND MANY OF US, WHAT WE'RE
GUILTY OF IS AN EGO CENTRIC WORLD VIEW, THE BELIEF THAT
WE'RE THE CENTER OF THE UNIVERSE.
WE GO INTO THE NATURAL WORLD AND WE PLUNDER IT FOR ITS RESOURCES.
WE FEEL ENTITLED TO ARTIFICIALLY INSEMINATE A COW AND WHEN SHE
GIVES BIRTH, WE STEAL HER BABY. EVEN THOUGH HER CRIES OF ANGUISH
ARE UNMISTAKABLE. AND THEN WE TAKE HER MILK THAT'S
INTENDED FOR HER CALF AND WE PUT IT IN OUR COFFEE AND OUR CEREAL.
AND I THINK WE FEAR THE IDEA OF PERSONAL CHANGE BECAUSE WE THINK
THAT WE HAVE TO SACRIFICE SOMETHING TO GIVE SOMETHING UP
BUT HUMAN BEINGS, AT OUR BEST, ARE SO INVENTIVE AND CREATIVE
AND INGENIOUS AND I THINK THAT WHEN WE USE LOVE AND COMPASSION
AS OUR GUIDING PRINCIPLES, WE CAN CREATE, DEVELOP AND
IMPLEMENT SYSTEMS OF CHANGE THAT ARE BENEFICIAL TO ALL SENT YENT
BEINGS AND TO THE ENVIRONMENT. NOW, I HAVE BEEN -- I'VE BEEN A
SCOUNDREL IN MY LIFE. I'VE BEEN SELFISH, I'VE BEEN
CRUEL AT TIMES, HARD TO WORK WITH AND I'M GRATEFUL, BUT SO
MANY OF YOU IN THIS ROOM HAVE GIVEN ME A SECOND CHANCE AND I
THINK THAT'S WHEN WE'RE AT OUR BEST, WHEN WE SUPPORT EACH
OTHER, NOT WHEN WE CANCEL EACH OTHER OUT FOR PAST MISTAKES, BUT
WHEN WE HELP EACH OTHER TO GROW, WHEN WE EDUCATE EACH OTHER, WHEN
WE GUIDE EACH OTHER TOWARD REDEMPTION.
THAT IS THE BEST OF HUMANITY. I JUST -- I WANT TO -- WHEN
YOU -- WHEN HE WAS 17, MY BROTHER WROTE THIS LYRIC, HE
SAID, "RUN TO THE RESCUE WITH LOVE AND PEACE WILL FOLLOW."
THANK YOU. >> Announcer: LADIES AND
GENTLEMEN, PLEASE WELCOME ACADEMY AWARD WINNING ACTOR
RAMI MALEK.
>> IT IS TRULY AN HONOR AND PRIVILEGE TO BE HERE CELEBRATING
THE TRANSFORMATIVE PERFORMANCES AS DISPLAYED BY THESE FIVE
NOMINEES. INDELIBLY ETCHED IN OUR HISTORY
AND IN OUR HEARTS. >> I'M LIVE FREE OR DIE.
>> IT'S LIKE WE'RE TELLING WOMEN, GO ON, SPEAK UP FOR
YOURSELF, JUST KNOW THE ENTIRE NETWORK IS WITH ROGER.
>> I DON'T BELIEVE I WILL EVER MARRY.
I'M HAPPY AS I AM AND I LOVE MY LIBERTY TOO WELL TO BE IN ANY
HURRY TO GIVE IT UP. >> THIS IS WHO I AM AND THIS IS
WHAT I'M WORTH AND MAYBE IT'S STUPID, BUT AT LEAST IT'S MINE.
>> YOU'RE JUST LIKE ALL THE OTHER ONES.
YOU SIT ON THE SIDELINES AND YOU WATCH THE SHOW.
WHAT HAVE YOU EVER DONE THAT WOULD MAKE ANYBODY WANT TO
LISTEN TO YOU? >> I NEED YOU TO UNDERSTAND, I
HAVE TO BE ABOVE THIS, RIGHT? I HAVE TO BE AN ANCHOR FIRST,
THEN A WOMAN. >> HE TRULY DIDN'T SEE ME.
HE DIDN'T SEE ME SEPARATE FROM HIMSELF.
>> I MADE THIS FOR ALL MY OWN. GOD WAS WATCHING BUT MY FEET WAS
MY OWN, RUNNING, BLEEDING, NEARLY DROWNED.
NOTHING TO EAT FOR DAYS AND DAYS.
I MADE IT. SO DON'T YOU TELL ME WHAT I
CAN'T DO. >> AND YOU WILL ALWAYS BE A
CRITIC AND NEVER AN AUTHOR AND THE WORLD WILL FORGET THAT YOU
EVER EVEN LIVED. NO ONE WILL FORGET JO MARCH.
>> YOU WON'T FORGET ME, WILL YOU?
>> HERE ARE THE NOMINEES FOR PERFORMANCE BY AN ACTRESS IN A
LEADING ROLE. CYNTHIA ERIVO, "HARRIET"
SCARLETT JOHANSSON, "MARRIAGE STORY"
SAOIRSE RONAN, "LITTLE WOMEN" CHARLIZE THERON, "BOMBSHELL"
RENEE ZELLWEGER, "JUDY" AND THE OSCAR GOES TO -- RENEE
ZELLWEGER. >> Announcer: THIS IS THE SECOND
OSCAR AND FOURTH NOMINATION FOR RENEE ZELLWEGER.
>> THANK YOU TO THE ACADEMY. THANK YOU FOR INVITING ME HERE
ALONGSIDE ONE OF THE MOST SPECIAL COLLABORATIONS AND
MEANINGFUL EXPERIENCES OF MY LIFE.
I'VE SAID IT BEFORE AND I'M GOING TO SAY IT AGAIN, CYNTHIA,
SCARLETT, CHARLIZE, SAOIRSE, IT IS AN HONOR TO BE CONSIDERED IN
YOUR COMPANY. DAVID LIVINGSTONE, CAMERON
McCRACKEN, DIRECTOR RUPERT GOULD, BOY, IT WAS A PRIVILEGE
TO WORK WITH YOU AND I AM -- I FEEL SO PROUD TO BE IN YOUR
BEAUTIFUL MOVIE. I GOT TO THANK MY STAGE MOM,
MATT AND JEFF AND ERIC VITRO, PAUL, GARY, JESSE BUCKLEY,
RUFUS, ALL THE CAST AND THE CREW WHO WORKED SO HARD ON THIS FILM
TO CELEBRATE JUDY GARLAND. MY EXTENDED FAMILY AT CAA,
PETER, BRIAN, KEVIN. IMPRINT.
NICOLE AND DOM. NANCY RYDER.
THANK YOU FOR THE 25 YEARS. JOHN CARRABINO, MY HANDSOME DATE
OF 25 YEARS. THANK YOU FOR ALWAYS DREAMING
BIGGER THAN I WOULD DARE. AND FOR BRINGING IT BACK TO THE
WORK AND JOY AND GRATITUDE. MY IMMIGRANT FOLKS WHO CAME HERE
WITH NOTHING BUT EACH OTHER AND A BELIEF IN THE AMERICAN DREAM,
HOW ABOUT THIS? THANK YOU TO YOU, BIG BROTHER
DREW, RANDY, JUDY, STONE AND AVA FOR ALL THE LOVE.
ALL THE LOVE AND SUPPORT POSSIBLE THAT MAKES YOU BELIEVE
ANYTHING IS POSSIBLE. AND I HAVE TO SAY THAT THIS PAST
YEAR OF CONVERSATIONS CELEBRATING JUDY GARLAND ACROSS
GENDERS AND -- I'M SORRY, ACROSS GENERATIONS AND ACROSS CULTURES
HAS BEEN A REALLY COOL REMINDER THAT IT'S -- THAT OUR HEROES
UNITE US. THE BEST AMONG US, WHO INSPIRE
US TO FIND THE BEST IN OUR OURSELVES, YOU KNOW, WHEN THEY
UNITE US, WHEN WE LOOK TO OUR HEROES, WE AGREE, YOU KNOW?
AND THAT MATTERS. NEIL ARMSTRONG, SALLY RIDE.
VENUS AND SERENA AND SELENA, BOB DYLAN, SCORSESE, FRED ROGERS.
HARRIET TUBMAN. WE AGREE ON OUR TEACHERS.
AND WE AGREE ON OUR COURAGEOUS MEN AND WOMEN IN UNIFORM WHO
SERVE, WE AGREE ON OUR FIRST RESPONDERS AND FIREFIGHTERS.
WHEN WE CELEBRATE OUR HEROES, WE -- YOU KNOW, WE'RE REMINDED
OF WHO WE ARE AS ONE PEOPLE, UNITED.
AND NO, JUDY GARLAND DID NOT RECEIVE THIS HONOR IN HER TIME.
I AM CERTAIN THAT THIS MOMENT IS AN EXTENSION OF THE CELEBRATION
OF HER LEGACY THAT BEGAN ON OUR FILM SET AND IS ALSO
REPRESENTATIVE OF THE FACT THAT HER LEGACY OF UNIQUE
EXCEPTIONALISM AND INCLUSIVITY AND GENEROSITY OF SPIRIT, IT
TRAN TRANSCENDS ANY ONE ARTISTIC
ACHIEVEMENT. MS. GARLAND, YOU ARE CERTAINLY
AMONG THE HEROES WHO UNITE AND DEFINE US AND THIS IS CERTAINLY
FOR YOU. I AM SO GRATEFUL.
THANK YOU SO MUCH, EVERYBODY. GOOD NIGHT.
THANK YOU. >> Announcer: COMING UP NEXT,
THE FINAL AWARD OF THE EVENING, THE ACADEMY AWARD FOR BEST
PICTURE. >> Announcer: PLEASE WELCOME
TWO-TIME ACADEMY AWARD-WINK ACTRESS JANE FONDA.
>> THANK YOU VERY MUCH. NOTHING IS MORE IMPORTANT THAN
RAISING AWARENESS, RIGHT? TONIGHT, WE'VE HOPEFULLY BROUGHT
TO LIGHT THE IMPACT THAT FILMS HAVE MADE AND CAN MAKE ON OUR
LIVES AS INDIVIDUALS AND ON SOCIETY AS A WHOLE.
FOR THE ACADEMY, HERE ARE THE FILMS THAT MADE THE GREATEST
IMPACT THIS YEAR. >> YOU READY?
>> HIT IT. ATTA BOY.
>> THERE ARE A FEW PEOPLE WHO FIND SOMETHING THEY HAVE TO DO.
SOMETHING THEY CAN'T DO IT, IT'S GOING TO DRIVE THEM CLEAN OUT OF
THEIR MIND. >> YOU CAN'T MAKE EVERY LAP
PERFECT. >> BUT I CAN TRY.
>> "FORD V FERRARI," PETER CHERNIN, JENNO TOPPING AND JAMES
MANGOLD, PRODUCERS. >> THINGS HAVE GOTTEN OUT OF
HAND WITH OUR FRIEND.RIS PROBLEMS WITH HIM.
>> WE'RE GOING AT WAR WITH THESE PEOPLE.
WAR. >> TRYING TO HELP YOU, JIM.
>> I KNOW YOU ARE. BUT NOBODY THREATENS HOFFA.
>> "THE IRISHMAN." MARTIN SCORSESE, ROBERT DE NIRO,
JANE ROSENTHAL AND EMMA TILLINGER KOSKOFF, PRODUCERS.
>> YOU'RE NOT A NAZI. >> DO NOT LET YOUR --
>> I WON'T LET HER BUST MY GERMAN BRAIN AROUND.
>> TRY NOT TO. >> DEFINITELY NOT A GOOD TIME TO
BE A NAZI. >> "JOJO RABBIT," CARTHEW NEAL,
DAY TAIKA WAITITI, PRODUCERS.
>> CALL THE POLICE. >> I'LL TELL YOU WHAT YOU GET.
YOU GET WHAT YOU DESERVE. >> "JOKER."
TODD PHILLIPS, BRADLEY COOPER AND EMMA TILLINGER KOS FOF,
PROP PRODUCERS.
>> WOMEN, THEY HAVE MINDS AND THEY HAVE SOULS, AS WELL AS JUST
HEARTS AND THEY'VE GOT AMBITION AND TALENT, AS WELL AS JUST
BEAUTY AND I'M SO SICK OF PEOPLE SAYING THAT LOVE IS JUST ALL A
WOMAN IS FIT FOR. I'M SO SICK OF IT.
>> "LITTLE WOMEN." AMY PASCAL, PRODUCER.
>> YOU DON'T WANT TO BE MARRIED. >> BUT I DON'T WANT THIS.
I'LL NEVER GET TO REALLY BE HIS PARENT AGAIN.
>> IT WILL BE DIFFERENT. >> IT WON'T EXIST.
>> YOU DIDN'T LOVE ME AS MUCH AS I LOVE YOU.
>> WHAT DOES THAT HAVE TO DO WITH L.A.?
>> YOU'RE SO MERGED WITH YOUR OWN SELFISHNESS, YOU DON'T EVEN
IDENTIFY IT'S SELFISHNESS ANYMORE.
>> "MARRIAGE STORY." NOAH BAUMBACH AND DAVID HEYMAN,
PRODUCERS. >> NO.
NO, NO, NO, NO! >> "1917."
SAM MENDES, PIPPA HARRIS, JAYNE-ANN TENGGREN AND CALLUM
McDOUGAL, PRODUCERS. >> THIS WHOLE EUROPEAN JOURNEY
IS OVER. I THINK WE'VE REACHED THE END OF
THE TRAIL, CLIFF. >> YOU ARE --
>> I'M THE DEVIL AND I'M HERE TO DO THE DEVIL'S BUSINESS.
>> NO, IT'S DUMBER THAN THAT. >> "ONCE UPON A TIME IN
HOLLYWOOD." DAVID HEYMAN,NTIN TARANTINO,
PRODUCERS.
>> "PARASITE." KWAK SIN AE AND BONG JOON-HO,
PRODUCERS. AND THE OSCAR GOES TO --
"PARASITE." >> Announcer: "PARASITE" HAS SIX
ACADEMY AWARD NOMINATIONS AND IS THE FIRST FILM NOT IN THE
ENGLISH LANGUAGE TO WIN BEST PICTURE.
WINK WINNING FOUR OSCARS TONIGHT.
>> Translator: I'M SPEECHLESS.
WE NEVER IMAGINED THIS TO EVER HAPPEN.
WE ARE SO HAPPY.
I FEEL LIKE A VERY OPPORTUNE MOMENT IN HISTORY IS HAPPENING
RIGHT NOW. I EXPRESS MY DEEPEST GRATITUDE
AND RESPECT FOR ALL THE MEMBERS OF THE ACADEMY FOR MAKING THIS
DECISION. >> THANK YOU.
>> HI, EVERYBODY. I REALLY LIKE TO THANK DIRECTOR
BONG. I LIKE EVERYTHING ABOUT HIM.
HIS SMILE, HIS CRAZY HAIR. THE WAY HE TALKS.
THE WAY HE WALKS. AND ESPECIALLY THE WAY HE
DIRECTS. AND WHAT I REALLY LIKE ABOUT HIM
IS HIS SENSE OF HUMOR AND HE CAN BE REALLY MAKING FUN OF HIMSELF
AND HE NEVER TAKES HIMSELF SERIOUSLY.
THANK YOU. THANK YOU VERY MUCH.
AND I'D LIKE TO THANK EVERYBODY WHO HAS BEEN SUPPORTING
"PARASITE" AND WHO HAS BEEN WORKING WITH "PARASITE" AND WHO
HAS BEEN LOVING "PARASITE." AND I'D LIKE TO THANK MY
BROTHER, WHO HAS BEEN ALWAYS SUPPORTING OUR BUILDING OUR
DREAMS, EVEN WHEN IT LOOKED IMPOSSIBLE DREAM.
THANK YOU, JAY. I WANT TO THANK MY BROTHER, JAY.
AND ESPECIALLY I REALLY, REALLY, REALLY WANT TO THANK OUR KOREAN
FILM AUDIENCE, OUR MOVIE-GOERS, WHO HAS BEEN REALLY SUPPORTING
ALL OUR MOVIES AND NEVER HESITATED TO GIVE US
STRAIGHT-FORWARD OPINION ON WHAT THEY FEEL LIKE THEIR MOVIES.
AND THAT MADE US REALLY NEVER BE ABLE TO BE COMPLACENT AND KEEP
PUSHING THE DIRECTORS, THE CREATORS, KEEP PUSHING THE
ENVELOPES AND WITHOUT YOU, OUR KOREAN FILM AUDIENCE, WE ARE NOT
HERE. THANK YOU VERY MUCH.
THANK YOU.
>> AND THAT WRAPS UP THE 92nd ACADEMY AWARDS.
CONGRATULATIONS TO ALL THE NOMINEES AND WINNERS.
GOOD NIGHT AND THANK YOU FOR WATCHING.
>> Announcer: HOTEL ACCOMMODATIONS PROVIDED BY
MAR MARRIOTT BONVOY.
AIR TRANSPORTATION FOR THE ACADEMY AWARDS PROVIDED BY DELTA
AIRLINES. LED AND PROJECTION SERVICES
PROVIDED IN PART BY SENOVVA.